At the respective ages of 15, not too long ago for high school graduates Darius Person and Victor Stephens, the two teenagers who had bonded over a respect for one another’s style and drive, joined forces in an effort to “go get doe.”  Bread Cheese and Doe, the brainchild of that effort, is now a start-up clothing company with wares displayed on the racks of such popular Atlanta boutiques as Adrene and Vinnies Styles in Little Five Points.  While other high school seniors were preparing for a prom that was a week away, Victor and Darius were celebrating the success of their first fashion show- a long way from the lockers where they began selling sunglasses and mix tapes.  Not long after Darius received his scholarship from Savannah College of Art and Design (SCAD) and Victor was accepted at Auburn University, The Real Atlanta catches up with the hard-working twosome a week before graduation.

TheRealAtlanta.com: Congratulations, both of you.

Victor and Darius: Thank you.

TRA: Victor, I heard you were accepted into Auburn’s business school two years early.  That’s quite a feat.

Victor: When I did the application I incorporated everything that I was doing, including [Bread Cheese and Doe], and I guess somebody read that and was like, “We need to go get him.”  So we’ve had a lot going on.  We were featured on Thrillest blog.

TRA: Tell me about Thrillest.

Victor:  It’s done in Chicago, Las Vegas, Atlanta, New York, San Francisco, even Japan.  Like, for real?!  So it’s like the who’s who of what’s hot for the top ten cities.  And we were featured in the fashion section of what’s hot so. . .

TRA: So while you were dancing at your senior prom they were already hyping about your fashion line in Japan?

Victor: I guess so. I pray so.  A lot of different feedback we’ve gotten off of that.  And actually a little further back we even met Johnny Cupcakes.  He came down for his annual Suitcase tour and we got pictures with him, we got a spot on his blog, and they had us on a video.  His Mom fanned us on Facebook.  When you go on her Facebook fan page, she’s only a fan of four pages.  Her son’s page, our page and like two other pages.

TRA: Nothing like a proud mama.  And to be in such exclusive company at such a young age is impressive.

Victor: Yeah we’re 18.

TRA: How old were you when you got started in the fashion industry?

Victor: People always ask are you a fashionista or whatever, and it’s not really that.  It’s our mentality, you know.  That’s what our brand is- it’s a mentality.  We’re trying to go accelerate and do something that we started in December 2008.

Darius: About a year and a half ago we were in Victor’s attic just throwing around ideas.  Before that, Victor and I met in tenth grade and we were always just business minded and had the mentality of going and getting dough.  Which is what the brand stands for.

TRA: BC&D, right?

Darius: Right- Bread Cheese and Doe Clothing’s mentality is “Go Get Dough.” Which is what we stand for- going out after your dreams and what you believe in.  So we got together and laid down the foundation of what you see today as BC&D.  About a year and a half ago is when it really started to take off.

TRA: You were fifteen when you came up with the idea?

Victor: Fifteen, sixteen.  It’s funny because me and Darius have only known each other for like two years, and even though it seems like we’ve known each other a lifetime, I met him literally like, in the tenth grade in Language Arts class.  I’m like, “Who is this guy?  Why does he wear the same shoes I wear?” You know, like, “Why are we so cool?” [The two laugh.]  But really we clicked right away.  There aren’t many people I know who I can call on my phone, like, “Yo.  I’m tryin to sell sunglasses.  You down?”  He’s like, “Yeah, whatever, let’s do it.”  Just to be able to talk to someone about moving forward with something worthwhile, like, “Yo, let’s do it.”

Darius: A month after we met we were selling sunglasses out of our lockers.

TRA: That’s how you got started?  Selling sunglasses out of lockers at the high school?

Darius: I mean, it was a source of commerce [He laughs].

Victor: That, and we had mix tapes.  We had the Andre 3000 v. Kanye West mix tape.  On the illegal side, we had American Gangster like five weeks before it came out, and were selling those to teachers and janitors.  The movie came out in November and we started selling it in October.

Darius: That was so soon after we met that it just goes to show you the partnership is here for bringing in the dough.  We saw the vision in Victor’s attic.

TRA: You already shared a business mindset that I think that even Denzel Washington and Andre 3000 could appreciate.

Victor: You know, it was a really clean cut copy of [American Gangster] that I had found.  I was like, “Whoah, this doesn’t come out for a little while. This could be a good copy.”  So I put it in and it was like pristinely clear!  It had the main menu options and everything.  I was like, “Whoah! Let’s get twenty dollars up, let’s go dub a hundred copies of this.”  Sure enough, we were sold out in like a couple of days.

TRA: So when did Bread Cheese and Doe shift from selling other people’s ideas and other people’s intellectual property to marketing your own ideas?  After the attic meeting, what were the steps to starting your own clothing designs at the ages of 15 and 16?

Victor: I mean the house wasn’t exactly where it all began.  Before that too, we printed t-shirts for all the local high school organizations. I was doing the debate team stuff, the Junior class stuff, and it was like, “You know what? I’m doing all this other stuff for people.  What can we do for ourselves?”  And that thought had been going for a while, but you know ideas are just ideas, and it was raw.  It was just like, “How are we gonna fill this canvas out?  This blank sheet of paper?”

TRA: Tell me how Bread Cheese and Doe went from the canvas to having your first fashion show just shy of prom week?

D: Immediately after [the attic meeting] we started to get the word out.  We probably put about twenty designs together.  And within a month we were releasing our first shirt that was the original staple shirt.  If you have that shirt, you’ll probably be a millionaire.  It was a chef we had drawn up.  With the bread, cheese, and doe logo.  It was a yellow and white shirt with turquoise paint.

TRA: Are there any left?

Vic:  Those were gone the first two weeks out.  And then like the week after that Obama had gotten inaugurated.  I remember that was January 19^th.  So we designed “What Up Barack” shirts the week he was inaugurated and the next week they were gone.  So everything went with the time.

TRA: It sounds like you couldn’t make them fast enough.

Victor: We tried to keep everything going, but we don’t want to over-rush the market.  So it was like 24 shirts and I guess when you start doing something you never realize how fast it’s going to grow. A year ago I never would’ve thought I’d be doing a fashion show.  Getting interviewed, getting column write-ups from people.

Darius: A month after we started selling tees we’d be out and see people wearing our shirts.  It was surreal.

TRA: Where were you the first time you saw somebody wearing one of your t-shirts and how did you feel?

Darius: I was actually at the mall.  And I saw he a guy in a BC&D button.  I was like, “Wooow.”  So over the next couple of months we would meet people.  We met this ten-year-old kid who was wearing the Black Bart tee that we did.  It was this ten-year-old white kid that we didn’t know who had our shirt on.  It was like, “How does this happen?”  It’s amazing.

TRA: That is amazing.  So how do you come up with ideas for your designs?  Obviously I get that Barack was gonna sell, and that was a perfect opportunity.  He was trendy.

Victor: That was like pop culture’s Superman.  But more specifically with the stuff we’ve done for the Spring collection…  Of course Outkast inspired the name if you’re familiar with Aquemini.  That was Andre 3000’s bar:  “Street scholars, majoring in culinary arts, you know, how to work for Bread, Cheese, and Dough.” And so that’s the brand and I was like, “Well I got this man’s bar as my brand so I definitely have to pay homage.  I wanna do a t-shirt.”  Also as a huge Simpson’s fan, I like artwork; I like animation.  But it was like, “Let’s get Outkast.  Then we got the Bart idea from our man Jabari Graham, who does Arts, Beats, and Lyrics here in Atlanta- a huge urban art show that gets all the Graffiti artists from the area together.  He said one day, “I remember growing up in the ‘90’s the Black Bart thing was hot!” And the original Black Bart, if you remember, they were about the Apartheid.  Then came the Michael Jordan Series- so you see a lot of old vintage ones on E-bay.  It was like pre-Mandela, End South American Apartheid with Mandela wearing a Michael Jordan Jersey on.  [Jabari] was like, “Man we should re-vamp it and try to do something with it.”  And then in the following few days I had an artist friend, Kendall Putmon, put up a few designs sketches together, before you know it, we were printing the t-shirt.  Getting ready for the spring fashion show.

TRA: So there have been a lot of people involved in making this happen, but mainly you two.

Victor: Yes.  You know, we always try to incorporate people and let everybody exercise their talent.  Doing this gave me an opportunity to meet people and kids all over Atlanta and all over the world who are doing the same thing.  It’s just that nobody necessarily has the direction to what they’re doing, they just have a raw talent.  And everybody needs direction, or they need somebody to lend a helping hand and that’s what we’ve been able to do. So that’s definitely my favorite part about being a clothing designer so far.  Our company motto is, “Teamwork makes the dream work.”  And we feel like we have one of the strongest teams as far as clothing starting out in the industry.  We have dope designers- one kid goes to Georgia Tech and another kid is still in high school.  It’s kind of like a new conglomerate.

TRA: You have youth’s momentum in your favor.  So, did somebody get in touch with you about the Fashion Show or was it someone from this network you’ve created?

Darius: It was us.

TRA: You put together the entire fashion show?

Victor: It was us.  We did the production, we had the talent, and the venue.  We were the coordinators and the designers for it.  We had Miss Gretchen Smith help us with the styling.  Miss Gretchen is a local stylist who coordinated all the models for us.

TRA: So how was the turnout for the show?

Victor: It was a very respectable, very good turnout.  A lot of apprehension prior to it, though.

TRA: I can imagine!

Victor: You know it was our first time coordinating an event, or participating in the coordination of an event, and of course I had a lot of doubts, a lot of anticipation for it.  But it was an excellent turnout, and we got a lot of love from it.

TRA: Was there one particular meltdown moment or was it all smooth sailing?

Victor: The meltdowns occurred beforehand.  It was like, “Whoah!  What are we doing?  This is retarded!  People might not come- we didn’t do this in enough time.” But all of that was beforehand.  By the time the event came it was like, “All right.  Blackberry is full.  Let’s make some phone calls; let’s get some people out here.  Now, you do this.  You do this.”   You know, “Let’s keep it professional; let’s keep it going smooth.  And let’s show these people a good time.  Let’s show ‘em what we’ve been working on.”

TRA: Following the fashion show, you were picked up by Adrene Boutique on Peters Street and by Vinny’s Styles in Little Five Points.  How is the boutique business?

Darius: Sold out, I believe.  So it’s great.

Victor: It was great.  That’s something you always want to hear.  Sold out!

TRA: Are you restocking for Summer?

Victor: We’re definitely going to be making a staple with Black Bart for the Summer collection.  We’re going to design something for the ’96 Olympics, so it will be a fun collection that brings back some old memories.  You’ll be saying, “Wow, I remember when that happened!  I remember when [Interstate] 75 was two lanes!”  And that’s what we want to do is to remember: this is our city; this is what goes on every day.  This is where the Atlanta you see today came from.  You know Jabari Graham went to a neighboring high school- Lithonia High.  Now he has a successful promotion company, Shamless Plug.  I mean he did the Goodie Mob concert.  Who can be more Atlanta than Goodie Mob? You know, his Urban Arts show sponsored by Gentlemens Jack!  Then you’ve got me and Darius.  I mean we’re from Decatur, Georgia.  Most people don’t know what that is, and we just want to showcase our city through ourselves and other people that grew up around us.

TRA: So you’re really trying to represent Atlanta in your fashion and your style.  Do you plan on expanding that to other cities?

Darius: I think so.  If you see brands like I’d say The Hundreds, those brands have infiltrated the South.  Kids are walking around, and you’re like, “Are you from the South, really?” So we want to take that same idea of showing California culture to Atlanta and showing Atlanta culture to let’s say New York and California.  And then we want to show the world.  So we’re just coming to plead our case to the world saying, “This is what we’re about.”  We’re about getting dough, and going after what we believe in.  We’re going to sell you Atlanta, and this is our collection.

TRA: Atlanta is becoming the next international city.  L.A. and New York are there already.  It’s like we’re not even up and coming anymore.  We’re arriving, and I feel like you guys really embody that.  It’s exciting for young artists in Atlanta to see that and to see you guys be so successful.  So, with one of you at SCAD and one of you at Auburn, do you plan to continue this partnership?  If so, how are you going to accomplish it?

Victor: Teamwork makes the dream work, you know?  We have a staff of young people who are on the same level trying to accomplish the same type of goals.  David Smith from Georgia Tech, I previously mentioned Kendall Puttmon from North Druid Hills High, Tyler McCullers from the The Yard Radio is helping out, Matthew Moses from Shalimar Media Group. Doing this project has been a way of connecting people.  So it’s not just a Vic and Darius thing anymore.  We got all the dough getters.

Darius: We don’t see us going to school as the end of BC&D.  We see going to school as us having an opportunity to expand our brand to different parts of the South.  I mean [Victor] is going to Alabama and I’m going to Savannah.  We see it as a way to tell more people about us- not a stoppage.  As you can see, we’re in stores.  It’s kind of a progression.

TRA: So your college experience is just a way of furthering your business.

Darius: Absolutely.  It’s all about organization and good time management.  And being able to see how to keep a calendar and keep yourself grounded.  Knowing what’s important helps put things into perspective.  Of course getting your classwork done is number one.  You don’t have to go to that party on Friday- you don’t have to go to that party on Saturday.

TRA: Or you can go in a BC&D shirt!

Darius: Right, or you go to rep your brand.   BC&D is kind of incorporated into our lives.  Like while we’re at school, we’re selling the product.  Like we’re wearing the BC& D and people are wearing it.  It’s just another extension of Bread Cheese and Dough.

TRA: So what began as a long term project has continued.  You’ve kept the same vision.

Victor: We make every place our workplace.  If Darius is at school he always has his camera.  He shot our 2010 class documentary.  I’ve always been there- selling t-shirts, selling mix tapes, selling whatever.  Then it’s standard to me selling my own brand.  So wherever I go I make it my workplace, or a place where I can leave my staple or my business card.  I want people always say, “Hey, that’s the guy you want to go talk to.”

TRA: So when is the Summer line coming out?  Is there a set date?

Victor: No set date.  We’re working around the Spring feed and enjoying that success.  And while we’re working on that we’re working on releasing the Summer collection.

Darius. We’re graduating this coming Sunday, so I mean, yeah, it’s been a busy month, but it’s obviously all worth it.

TRA: How do you feel now that high school’s over?  What are your feelings now?

Darius: Better make it a dough-getter summer.

[We all laugh.]

Victor: We’re not gonna stop!

Darius: [Not being in school] is giving us more time to work on our Summer Collection.  We plan on hitting ArtBeats and Lyrics, with the more Black Bart stuff.

Victor: We were at the ABL Show in Charlotte and Alien (B.O.B.’s former drummer.)   is on the drums just beating it. You know he must’ve gone through every genre and pulse of hip-hop.  We went from TuPac- Gangsta Party, to Atlanta- Bombs Over Baghdad, To New York- The Rock, and the guy was just killing it.  Throwing sticks out into the crowd- the crowd throwing it back.  He’s standing on top of the base just going in with it.

Darius:  He was doing all that in our Black Bart tee.  The shirts were being sold at the show, and it wasn’t like they were featured, he was just there showing love.

TRA: So hello world, goodbye high school.

Victor: A lot of people are caught up on hype- everybody wants to be that cool person.  But I think what’s definitely been a help for us is we’ve always reached back.  We were always helping whoever wanted to be down.  We put somebody to work.  Whoever wanted to be down we were always there for them.  I might not necessarily know what you need, or I might not deal in it.  Take my good friend Ahmed. I got her an Atlanta internship at the Atlanta Bar Association.  Now that doesn’t deal with Bread, Cheese and Doe, but it does.  She’s trying to go get dough.  She’s trying to be an entertainment attorney.  So I said, “Wait a second.  Let me give a call to my attorney.” He’s like you know, “Go down to the Atlanta Bar Association.” And you know she got her job, and we’ve done that for a lot of different people.

TRA: Networking is crucial.

Vic: That’s the most important thing.  You know it’s not about necessarily how much money you make, or how famous you are, or how many friends you have on Facebook, or how many follows you have on Twitter, but those moments of integrity really going after your dreams, saying, “I’m gonna do this!  And it’s going to get done, and it’s gonna be done like this!”  It’s those moments of integrity that really make life worthwhile.

TRA: So what is it that keeps you guys grounded?  When you’re young you have so many distractions.  What helps you maintain your vision and your inspiration to keep this company going?  What keeps that drive?

Darius:  I think just staying focused on what we’re after, because in the end our aim is to get all our ideas out there.  We stay grounded by having good people around us so that if somebody’s acting up, we have to say, “Stop that.”  And get back on track.  That’s what it’s all about- looking out for each other.  Like I said, “Teamwork makes the dream work.”

Victor: When it comes to the people that I work with, everybody’s family, you know?  Our photographer, Aniz, came over to do a commercial on us and he ended up staying for Easter Dinner.  It’s all family.  That’s what keeps the drive going is by knowing that what we’re doing is not only progressing us but also the guy sitting next to us and the guy sitting next to him and the guy sitting next to him.  You know, I go to school with some of the most talented people there are, but because of the lack of help from others we can’t necessarily make it as far as we want.  I always wanted to be that person that helped the next guy in line.  I just didn’t want to do something for myself.  Yes I do have a family that I want to see well taken care of, but at the same time, I want to be able to look at the next person’s family and be proud that they were able to do the same thing as I was.

TRA: So where do you see your dream fashion show?

Vic: I don’t know.  On the moon!  [Laughing.] You said dream!

TRA: So you don’t see any limits.

Darius: The sky’s the limit, but not even the sky cuz like the quote goes, “The sky’s not even the limit ‘cuz there’s footprints on the moon.”  Basically, we just see Bread Cheese and Doe everywhere.  Within the next ten years, we want to be in New York and L.A.  Actually within the next five years, next year-

Victor: Next Day!

Darius: Next day, tomorrow!  We just expect to keep progressing and steamrolling and take this moment we have now and just keep capitalizing on it.  Roll into the Summer collection, then Winter.  Then do it all over again.

TRA: What are you most looking forward to learning from your college experience that you can then incorporate into BC&D?

Victor: I really want to get more into the cut and sews, really going across seas, picking out different fabrics.  Really what I do now is print on t-shirts.  I have pins, I make hats and different things like that, but I really want to be in the grassroots of textile.  I want to make the shirt, cut this jean, make the coat, make the bag, and the luggage.  It’s a real creative process where I have an opportunity to go all the way down to the t’s as far as getting fabrics- getting the cut and color of everything.  I really want to get into that.  And I think there’s always more to learn as you progress.

Darius: I mean, better ways to go about marketing your product, producing your product.  There’s always room to learn.  And we just try to learn from other’s mistakes and try to work on what we’re doing and succeed with it.

TRA: So right now your brand is unisex and geared towards everyone with the t-shirts and the buttons.  Do you see yourself doing a women’s and men’s clothing line?

Darius: I mean being a doe-getter is unisex.  So we don’t really see ourselves more focused on a men’s brand, or a women’s brand, or a kid’s brand.  We’re all about expressing to the world about being what being a doe getter is all about and in turn people showing us love back.

Victor: I think we’re firm believers in John Rockefeller’s life.  He is our ultimate guide and he said, “Every man has the right to earn a living for his family.”  So he was constantly involved in giving back.  Whether it was through the Rockefeller University, giving money to Chicago, building up different platforms.  He was constantly working with other people, and people will always remember that.  It’s all about building good relationships with people.  And that’s what’s important in doing whatever it is that you’re doing.

TRA: Any last words?

Darius: You can check out Bread Cheese and Doe at www.gogetdoe.com.  Follow us on Twitter @gogetdoe.  I just wanna thank everybody that’s been down with Bread Cheese and Doe. Keep going after your dreams.  That’s it.

Victor: Best of luck to all the people we work with.

Darius: And we would also like to give a shout out to the graduating class of Southwest Dekalb High School 2010, and also all the graduates around the world and the country.

Vic: Whether street scholar or otherwise!  Graduating from Northwestern or graduating on the street- good job!  Keep your head up.

TRA: Thank you so much!  Congratulations and good luck!

BC&D’s most recent creation, the “Make It Hot” tee designed for rapper Nesby Phips, is now being produced and distributed by the legendary Damon Dash.  For purchasing info, or for the latest on BC&D, visit www.gogetdoe.com.

Torn, written by Tiffany Brown & Lynnette Roberts, Executive produced by Ex- NFL player and Super Bowl champion Dorsey Levens. Torn features a cast of accomplished actors and former professional athletes who have successfully transitioned to stage performances.

Torn will hit the stage on July 14^th and be shown till the 18^th at the 14^th Street Playhouse in Atlanta.

Torn is a Christian drama that touches into the relationships of today. While watching the cast rehearse at Eyedrum, the reality of this play is one that many of us can relate to on a daily basis.  Torn tells the story of a couple’s relationship that has hit its breaking point.  With deception, various obstacles and consequences, the question still remains as to whether or not this couple will be able to mend what has already been Torn.

As I prepare for my interview with Lynnette, Tiffany and Dorsey, I am in admiration for the talent before me that is preparing for a play that is sure to hit the stage big and become a phenomenon. The actors have engaged me and are making me anxious to see the ending result. I am astounded how Torn is an illustration for the truth of so many relationships of today. The story line is about issues, choices, and consequences, the ultimate gratitude that can make or break our relationships. I look forward to seeing the great successes that are to come with this stage play.  I must say, this is a well written story that is sure to attract the attention of the community. In the production, Tiffany is directing and Dorsey is the assistant director, along with stage manager Shay.  Shay also stars in the play with the stage name Misha Moore.  Tiffany describes Shay as having a true passion and unraveling experience in acting. She says that Shay serves as the coordinator of on and off stage managing and she is an integral part of the production team. With all the action taking place at Eyedrum during the rehearsal, I was able to pull co-writer Lynnette for majority of my inquisitive questions and snag Tiffany and Dorsey at intervals.

Here is the interview I was able to get from a few members of the team.

TRA: How well do you all know each other?

Lynnette: We met at our home church, called Destiny Metropolitan Worship Church in Marietta, GA.

TRA: How did Torn come about?

Lynnette: The church has an event called, “Expressions” that we host annually. We thrive for ways to display and introduce Christ in different ways, in order to attract the audience that wouldn’t normally come to church. We put on a play, Tiffany was the Drama team leader and I was over production. Dorsey was an actor in the play at the time, in which he still holds that same role currently. After such an excellent response and standing ovations, we knew this was one that needed to be brought further into the community.  We wanted to bring more recognition by taking it in front of hundreds if not thousands.  With Dorsey’s belief in the play and funding, we were able to make it possible. The message in Torn is so powerful and it doesn’t come as your traditional gospel play. Our hope is that Torn will come as a tool for people to understand the logic of their relationships or marriages, and knowing what it will take to make the marriage work in addition to what it takes to keep it together.

Dorsey:  In February we had two shows at the church consisting of 550 people, and we sold out. It was a great feeling to see and hear the testimonials of people coming up to the different cast members and telling them how it touched their lives. It was comment after comment. From that point on, funds were needed, and it was a great opportunity for me to give towards something so awesome. I was able to come in and get behind the scenes, and learn things as I move forward, learning from Lynnette, Tiffany, and Shay.

With his pacing, and stern directives, I had to know Dorsey’s character off stage for Torn.

TRA: Who is Dorsey on set?

Dorsey: I bring to the table outside of acting, the muscle behind Tiffany’s voice. I’m real stern. I don’t like people being late. Everyone wants to be great, but you have to put in the work. Greatness is not rewarded it is earned. You have to take personal accountability. We are a team, no part is bigger than the other. Everyone has to do their part to the best of their ability. We all have to put in the work. My Job is to keep everyone focused and on the same page as we move forward.

TRA: Can you give me a basic description of Torn in your own words?

Lynnette: Torn will allow you to see that every decision has a consequence, rather good or bad. However, keeping God in the midst of all decisions, allows for better understanding. Torn will give a firsthand look of how and why it’s important to hold on.

Tiffany: This story speaks in regards to relationship that has been severed. They have allowed interferences from outside to disarrange their foundation.  Torn takes you into the basics that exist in any relationship and/or marriage. Allowing you to see the real life relevant issues and those arguments are normal things that couples face.

Dorsey:  It’s a Christian based play, not overly religious. We hope to bring non- believers to the church. Torn doesn’t consist of real preachy dialogue however, there is reference to scriptures from the bible in play. For the most part, it’s just real life. We have no specific target audience, it’s just for everyone.

TRA: Where was the name “Torn” derived from?

Lynnette: Basic brainstorming. And just thinking of what a lot of relationship experiences and that is “Tears”. It becomes complicated and overwhelming in a relationship when there are tears that need to be repaired. With every decision, you make that choice to tear or build upon your relationship. Whenever you have a constant flow of un-happy tears, then something is “torn” and needs repair.

TRA: Who are the main characters?

Lynnette: Brice and Dana Kelly

TRA:  What can the audience expect from coming to see this play?

Lynnette: I think they will feel that it’s real. They would be able to identify or know of someone that represents the dialogue in Torn. They will walk away feeling and understanding the truth, honesty and inspiration of the characters. They will be able to relate to the characters and the experiences that may very well be personal within their homes. They are going to laugh. The ultimate goal will be achieved if they walk away with some insight on their own personal life. A lot of people don’t know what it takes to work on or even hold on to a relationship. For some that didn’t grow up in two parent households, they can be unsure of what that really means. A woman must gain the understanding of knowing her role as a wife and respecting her husband.  My favorite quote in regards to a severed relationship is, “You both have been here physically, but you left a long time ago, emotionally”. We have to know that there is more to a relationship than just sexual emotions. There are recreational, spiritual, intellectual, social and physical emotions. The sooner we understand and respect those emotions in our relationships the sooner we can grow and have a better hold before walking away.

Tiffany: They can expect to get hit with real hard truth while enjoying a fun play, with faith based undertones. They will get a mixture of drama, comedy, and inspirational messages delivered in a format that is uniquely Christian drama. Torn is not your typical play. Although it is Christian based, its originality began as Christian outreach to engage and attract our non-believers, therefore the language is flattering to attract the audience no matter what your faith based stance is.

TRA: Can you say that this play is a direct relation of the reality of everyday relationships?

Lynnette: Definitely, what’s so cool about this story is that the gender perspectives and roles are what we actually say.  Being written by two women, we surely scrubbed the story for reality and truth. We had to make sure that our information was as accurate as possible. We met with men and women. In meeting with the married couples, they told us about mother-in- law issues, respect issues, etc. We actually had real life stories to pull from, and we were so grateful for that.

Dorsey: Yes, being engaged and knowing married people, the reality is that there is always going to be issues in the marriage. Everyone has been in relationships, everyone has ups and downs, the question is what do you do about it and how do you hold on.

Tiffany: Yes it is. There are so many issues that relationships face in this new century. You have Facebook interference, where old friends and old lovers are reconnecting and rekindling at any given time. Technology is rapidly expanding and relationships are rapidly ending. Ryan Cameron of V-103 music station had Dorsey on the show, and he homed in on how Facebook is re-connecting past relationship and chapters that people have closed in their life, which is not good. People are starting to losing interest in their relationships instead of rebuilding.

TRA: In every beginning you must have a destination, so with that being said, what is the goal of Torn?

Lynnette: Our goal is for people to see that there is hope in your relationship when and if you make the decision to make it work. So often relationships are treated like a cactus, which requires a little sun and water to grow. With a real plant just a little wont work. You have to give it time. It may have to be replanted and it requires nurturing at every stage. That’s the same attention our relationship requires. We want people to commit to the journey of their relationships. You have to put in the work and make the decision not to go. You can’t rebuild by yourself, it takes two people.

Dorsey: The sky’s is the limit, we haven’t placed any boundaries. We will do our best and see where it takes us. (While interviewing, a lead singer in the play captures our attention, right in the midst of our conversation, her voice was beautiful). The lead singers are phenomenal. It’s not the typical gospel play, they are not singing the entire time. They sing in between each scene. As the set changes, the music begins. I must say, the singers are admirable, their vocals are an excellent collaboration, signifying the greatness in this play.

Tiffany: Our direction is going right to the big screen. This is our formula for a movie.

TRA: Do you plan to write and direct more?

Lynnette: Yes, I love writing and I feel like I am in the position to do more. We are not short on stories, just short on stories speaking to the spectrum and relations to our community. There are so many stories to be written and we want to bring them to the community. Tiffany is working on a new theatre company called Higher Calling.

Tiffany: Yes definitely. My plan is to start on other projects. I think my focus will always be geared towards relationships. It may be familial relationships, but the focus will be in that arena. I definitely want to focus on stories that are relevant and current with issues affecting our communities and relationships as a whole.  They will always be faith based.

Dorsey: If the opportunity presents itself. I have surely learned from Tiff and I comfortable with the producing part of it. Directing takes experience and Tiff got 20 years of experience, 13 years more than I. The experience and grind that I have gained as an assistant, has formulated my preparation of moving forward in the direction of these roles.

TRA: Tell me about Higher Calling Theatre Company?

Tiffany: God gave me this vision about 7 years ago to create a Christian theatre company. Although there are several in the metro area, … I had the desire for a contemporary faith based play, not just a mere entertainment and faith based. You have your playwright Tyler Perry, etc. that have shows and a production company, … in respecting and realizing my surrounding of other great statures amongst the talent, my long term goal, is to have a playhouse solely dedicated to these works. I want to have a full season of shows that people can come to throughout the year, and the focus will be faith based.

TRA: Any ending comments for the audience to know:

Lynnette: Come out and enjoy and well prepared Christian based play that will surely give you a different outlook on your current relationship or relationships to come. You will definitely leave with a different outlook on what you could’ve done differently, what you can do better, and how you can repair what’s Torn.

Dorsey: We have a talented cast with great energy. This play takes you on a roller coaster. It is serious, funny, emotional with everything intertwined. There are a lot of names that people won’t recognize, but when they leave the playhouse, they won’t forget who they were.

Tiffany: This is going to be a totally different experience. Come out, take a chance on our playwright and staff members. You will enjoy the show, and I promise you will leave with a good message and a refreshing experience.

As I wrapped up my questions, and took a last glance at the cast and the great minds behind a promising play, I left saying to myself, “Show time!”, because Torn is sure to gain the recognition it needs, in addition to repairing our community as a whole. This play is revitalizing the hope that is needed in keeping relationships and marriages together.

Atlanta’s 14th Street Playhouse, July 14^th –18^th, Wednesday – Friday at 8pm; Saturday at 3pm and 8pm; Sunday at 3pm and 7pm.

For media inquiries and credentials please contact The Profiles Group at (770) 222-2229 or profilespr@aol.com.

Links: http://www.facebook.com/event.php?eid=135087099839804&index=1

For those that don’t have a visual, in my opinion, Arle mirrors the actress by the name of Stacey Dash with an Ethiopian appeal signifying grace and beauty. This phenomenal woman has her own unique flawless identity. The Bay Springs, MS native, describes herself as an entertainers’ entertainer. Being a nurturer by spirit, she engulfs the melodies of others’ happiness. In speaking with Arle about her home town, she says, “I love home, it’s peaceful and its my hideaway for total rejuvenation”.

Arle describes herself as being free-spirited, talkative, and a go-getter.

She says she has the edge of a city/country girl all wrapped up in one. Arle states that her character name came from a friend. He would always describe her as being just a step away from Hollywood, due to her style, charisma, character, and class. She states that when he sees her, he would say, “Welcome to Hollywood”, so he decided to format her into the diva that Hollywood was missing and call her “Arlewood”. Another friend consistently asked her about a internet show that was becoming very popular, where the host combined character distinctions and various self intros. With fine tuning all the courage and the support from those that had a vision and great outlook on the future of Arle Michels, she was given the suggestion to videotape herself. Arle knew that center of attention seemed to follow her, especially when she walked into a room. In  framing these various mental notes,” Welcome 2 Arlewood”, was developed.

After working in the school system and being an advocate for children with no voice, she knew that she had mission to accomplish. She mentions that it was hard to leave her students. After losing her job with a day notice, she realized that now was the time to venture and step out on faith. Keeping in mind that change is a challenge, she states, “I’m definitely not one that’s going to jump off the building”. Behind Arle stands great recognition and accomplishments. She did an episode on “House of Payne”, by Tyler Perry. Arle stated that while looking at Oprah and Tyler, made her realize that personal success is defined in paving your own way. She said, she needed to make her own individualized platform, specific to Arle. Having great support and outstanding successful parents, she knows that the sky is the limit.

Arle says, “Welcome 2 Arlewood is a variety show and it is evolving as I go”. Arlewood takes you into the lives, the minds, and the characters of different individuals. Some may relate and some may not, but you will understand. Welcome 2 Arlewood is nothing like anything else. However, you can get a feel for similarity, if you can think back to the “Tracy Ulman Show”, “In Living Color”, and a mixture of “Regis & Kelly”. The characters will have you laughing and yearning for more. Arle mentions that she is working towards her ultimate goal of 8 characters. Please allow me to introduce the characters, as she introduced them to me.

Arle-The Diva Herself

Shockqueenetta – Tiger Wood’s African-American mistress

Brie – The Boojie Reporter

Honey Seville – Young lady that is trapped in the 70′s

With her next season, she wants to introduce a guy, an elderly lady and a real country girl called, Candy Cane Buckles. Currently she is still internalizing and working the roles.

Arle wants to continue to strive for a variety show mixed with hosting and celebrity interviews. She believes that laughter is food for the soul, and at times she is okay with raw and uncut.

Arle says that her father advised her to never feel bad and in any environment never feel embarrassed. He states, “You need to be able to feel good despite your circumstances, whether you’re in the penthouse or the outhouse”. Arle states, “I want people to feel comfortable and I hope to never appear offensive in any manner.”

As the interviewer with the pen, I must say that Arle is hilarious, yet a great speaker with a presence that demands attention. Arle definitely kept my fingers moving. I’m sure I could write a book on Arle with sequels. I could tell just from interviewing her, that her passion for speaking symbolizes her talent in acting. Some of Arle’s upcoming projects are sure to be worth your time and money. Arle will be featured in a play called, “Torn”, From July 14^th – 18^th at 14^th Street Playhouse in Atlanta. Some of the featured cast includes Arle, Dorsey Levens (Super Bowl champ), Ryan Stewart (2 Live Stews), Corinne Van Ryck de Groot (Prize
Fighter/American Gladiator) and Koran Joseph Riley (Former NFL
Player/Actor). Arle will also be working on a pilot, where she will co-host, interviewing people that have traveled abroad with no return, which are considered to be, ex-patriots.

Arle talks about all the places she has been and all the places she plans to go. She states, “With all the opportunities that have presented themselves to me and those that are yet to come, I say, “Arlelujah”.

Arle ends with stating, everyone needs an outlet, an emotional freedom outlet. I want to be inspirational to others. I want people to know that they too can dream and allow those dreams and goals to foster into to great personal successes. I hope to always encourage and be of Great Spirit to those that may idol my personal stance as a woman. I want people to know that my start was my own personal perseverance. I’m a people pleaser. I like to know how you feel, what you are thinking, and what you like and may not like.”

Arle mentions that she wants to take the show from “Arlewood” to “Arleworld”. She wants to showcase her own fan base of Arlewood citizens.

Tune into the shows on YouTube to get a feel for this natural born artist, and

Please stay tuned to more on “Welcome 2 Arlewood”!

Contact Info:

Arle Michel

Email: arlemichel@gmail.com

www.YouTube.com/ARLEwood

http://www.facebook.com/Welcome2Arlewood

Ph: 678-428-2100

Wednesday, June 23^rd at the Masquerade in Atlanta, Georgia was a haven for humorcore enthusiasts. There were three bands scheduled to play and they all came through in the end. Some better then others, but everybody was doing what they loved. What started out as a hot and sunny day turned into something out of a weather horror story. While the sun was shining bright, a torrential downpour came through, soaking everybody to the bone. Nobody could get inside quick enough.

Once inside of the venue, with beer firmly in hand, I sat back and waited to finally dry off. They were still finishing up all of the electrical work that needed to be done, when suddenly the power went out. Not once, but twice. Just completely shut off and we were left in darkness for a few seconds. Luckily, however, whatever problem arose was taken care of and it wasn’t an issue for the rest of the night.

About an hour after the doors opened, Syndicate opened the show. The venue was rather loud, given the small crowd that was there and the feedback was enough to drive one insane. It sounded like a screeching harpy dragging her claws across a chalkboard with a screaming cat in the background. Syndicate, however, played on. Overall, they had a very ‘Creed’-like feel. It seemed that they were copy the styles of bands who had their hayday in the early 2000′s, such as Creed, Staind, etc. The guitarist was a little overpowering. I realize that he was trying to show his skill on the guitar, but it was overpowering the vocals, drums and bass. They finished about 45 minutes into the set and broke down their gear, offering thanks for everybody that came out.

Next up was a band called Look What I Did. They are apparently great friends of Psychostick and have toured with them in the past. They had a very punk feel to them, as the guitarist and bassist seemed to be playing two different songs at the same time. The lead singer was screeching into the microphone and with the exception of a few words, it was completely unintelligible. They reminded me of the band, A.C who uses humor to distract from the fact that they are musically untalented. They did, however, play a Jane’s Addiction cover to honor their dead friend which was very sincere and they did it justice. The high point of their band was the drummer, who’s skills behind the set were nothing less then amazing. Another high point was the guitarist’s haircut. You have to see it to believe it.

Then the headliners of the show came out. Psychostick came on to the stage and from the first note, it was obvious that this is what they loved to do. Rawb had a smile on his face the whole time, as did the other members of the band. Any band who has a member wearing rubber moose antlers on stage is a band that I’m a fan of. They played a variety of their music from their three-album discography, finishing off their night with their most popular song, “BEER!!” They also did their own version of “Bodies” by Drowning Pool, called “I Can Only Count To 4.” Between songs, they played to the crowd, telling jokes and just generally having fun. Their energy is what made this show so great. It’s a magical moment when you see a band doing exactly what they love to do.

Overall, I was extremely satisfied with the concert last night. A few hitches at the beginning of the night, a couple of opening bands that could’ve been better, but Psychostick made it all worthwhile. Go to see them, if you have the chance. I promise it’ll be worth the money.

Interview by: Camillia Harris.

I met the R&B singer Ray Lavender at Café Nineteen in Atlantic Station to interview him.

As I sat in front of Mr. Ray Lavender. His intriguing eye-catching, million dollar smile, with an innocent cocoa brown complexion, comforting a warm charisma captures my attention, to say the least. From the moment he introduced himself, I knew this interview would come at ease. Although I would have preferred him to sit across from me, he sat beside me and warmly introducing himself “Hello, I’m Ray Lavender”.

TRA: Who is Ray Lavender?

Ray:   I’m from Monroe, Louisiana. Earl Ray Lavender is the representation of two people. I am a strong representation of a true Gemini. Earl Ray Lavender has a mission to get the key to the state of Louisiana. Earl Ray wants to definitely keep within the standards of making his mother and father proud. I would have it no other way. My energy and hard work pours into my music. My passion shines through my words. However, Earl Ray becomes strictly Ray Lavender the moment I perform. So let me give you the brief introduction of Ray Lavender. Ray Lavender is very passionate about his music. When he gets on stage he turns into this sexy, powerful, pelvic thrusting man. Ray is a beast, and the Gemini shines at all time. When performing, I need to be the main attraction. I don’t need the women looking at their husbands and boyfriends. I need their undivided attention. I seek the lusting moments of the women and the energy they bring. Ray is here to entertain and to take your mind places you never been before.

… I don’t need the women looking at their husbands and boyfriends. I need their undivided attention.
…

TRA:     How long have you been singing?

Ray:     I have been singing since I was 4 years old. I sang my first lead in the church choir, singing ”White Christmas”. Believe it or not, I am the only singer in my family. I loved listening to the radio. I became very intrigued on how artist performed and how it made me feel when I heard their songs. By mocking, imitating, and rehearsing the words, you can say I taught myself how to sing, or it was merely a God Gifted talent, gaining recognition. A few of my favorite songs of all times are, “Let’s get it on”, by Marvin Gaye, and “As We Lay”, by Shirley Murdock.

TRA:     Describe for those that don’t know you, your sound?

Ray:     I would say I have a gumbo of rhythm. A mixture of Babyface, Marvin Gaye, Sam Cook, and R-Kelly blended together. If they had a baby, it would be me. (laughing). I am full of soul. I have been asked to sing a lot of pop, but it’s hard for me to run from the soul that’s embedded in me. It’s in my blood stream.

TRA:     Who are some of your musical inspirations or mentors?

Ray:     Babyface, Sam cook. (I’m a big Sam Cook fan). Stevie Wonder, Michael Jackson, and Elvis. Between Elvis and Mike [Michael Jackson], I have mastered satisfying the crowd with my pelvic thrusting motions.

TRA:     What record label are you apart of, or signed to?

Ray:     Interscope Geffen [Interscope-Geffen-A&M] & Konvict Musik with Akon.

TRA:     I’m familiar with “My Girl Got a Girlfriend”, which was a hit, what have you been doing since then? Any movies, tours, TV shows?

Ray:     I have been getting my life together. Once I did My Girl Got a Girlfriend. God really showed me a lot of faces. Those that were around me and in my inner circle were stealing from me. A lot of people were around me for all the wrong reasons. I’ve been staying under the radar. I’ve been real good at starting things that create a fire that’s hard to put out. I love putting out a dynamic record and making you love it. So I’ve been getting all my music together while making sure that the right people are around me and that it’s a hit. While getting things together and trying to make it happen in the back scenes, a reality show found me. Donald Trump personally had the producers of the show come find me. The show is titled, “Donald Trump Presents The Ultimate Merger”. The show is in regards to the well known Ms. Omarosa which is scheduled to air on June 17^th at 9pm.

… Donald Trump personally had the producers of the show come find me.
…

TRA:     How is it working with Omarosa?

Ray:     She is very intelligent. I understand why Donald Trump picked her. She has a go-getter attitude. She is dominant in her stance as a woman. The average man would be intimidated by her. However, being who I am made her adapt to my world. I sang for her. Whoo, whoo, whoo…(laughing). There was another performer on the show Al B. Sure.

TRA:     Can you give one word to describe her?

Ray:     One would be [insufficient], so can I give two?

TRA:     Sure

Ray:     Her world. (laughing)

TRA:     What is it, you think, that persuaded her to be into you?

Ray:     I have a charm that is out of this world. I know what to say and just when to say it. I am a man of truth. I will tell you just like it is. I keep it one hundred percent real. On top of that I am genuine. One thing a woman will know is that when I have a focus on her, my eyes will never wonder.

TRA:     We’ve been embraced over the past decade by a new generation of listeners. What do you think is the appeal for the musical fans nowadays?

Ray:     It’s real simple. They like simple one-two-three music. Something they can sing and dance to. Nowadays the melodic lines are very important. Akon, has a song entitled, “Smack That” as an example. It’s straight to the point. The words are easy to remember, easy to vibe to, and the reality of our today. People want stuff they can rock with. That’s why simple is better. Listeners don’t want to have to figure it out. They want to one-two step and drink. There is nothing better than an 808 drum in music.

TRA:     What is an 808 drum?

Ray:     It’s a deep bottom, heavy base drum.

TRA:     Do you think R&B has changed for the good or bad?

Ray:     I can’t say for the good or bad, but it has changed. The old was traditional. The slow songs that we used to thrive for that talked about love, being passionate and making love is not the main focus anymore. Nowadays we say what the fans like to hear, “My Girl Got a Girlfriend”. We are straightforward and to the point and you have to adapt to what the world accepts.

TRA:     I had a chance to listen to, “Text Me a Pic”. I’m almost certain we all can relate to that title. Tell me what was going thru your mind and the reasoning’s behind this song?

Ray:     I have a different reality than others while traveling on the road. There are women out there whose main goal is to set me up, or to get with me, in some fashion or another. So that I don’t fall victim to the average groupie. I feel that if and when my girl texts me a sexy picture, more often times than another, it keeps me from straying too far into what I shouldn’t want.

TRA:     Interesting. Do you have other songs that may have direct but hidden meanings?

Ray:     Yes, I have a song called, “Checking My Phone”. We all have gone thru a case of someone checking our phone or we have been the phone checker. I feel that this is a total violation of privacy. It actually hurts when you go looking and you find what you are looking for.

Sidetracked from the interview momentarily, we glanced at passer-bys, which happen to be women, and we made a few comments, and gave a few opinions in areas of women needing improvement or in my opinion, women just simply out for a gold digging moment … (laughter).

Ray:     It’s sexy to me when a woman has it all together. She has her own intellect and persona of who she is, and what she wants. Not just what I have.

TRA:     Any artist you want to work with in the near future?

Ray:     Timbaland, Will I Am, Brandy, Kirk Franklin, Cold Play (soft rock group), they have a song called, “Clocks”.

TRA:     Do you have any upcoming events any time soon?

Ray:     I will be performing at the Essence Music Festival in New Orleans on July 4^th. I have a show scheduled in Mississippi and New Jersey in August. I will be doing a party with Al B. Sure and Isaac Keys on June 20^th, which is my birthday. Of course I have a lot of promotions with the Donald Trump show and pre-parties to attend. So I am hoping to keep my plate full.

Ray:     I have my own production company now called  Ray’s World Music. I have my own production team that is working under me that consist of song writers, artists and producers. J-Hot is my main producer. Kaira is another producer. I have K-Hill on production. I have two artists by the name of D-Rose and Day-lyric. I am hoping to make promises of a pop artist as well.

TRA:     Any collaborations coming into play anytime soon?

Ray:     None at this time. This first album I want it to be all me. I gave them Fab, I gave them T-Pain. I gave them Stack Quo. Now they need Ray Lavender. I want to be a household name. Now I want the fans to get into who I am and remember me.

TRA:     Tell us something we wouldn’t know about Ray lavender.

Ray:     I am a very down to earth, humble guy. I like fishing. I can definitely ball, I am a true basketball hooper. It’s in me. It’s my natural “high”. I love bowling. If you can’t bowl at least a 200, you may not want to bowl with me. I am a song writer. I write all of my music. I don’t even use a pen. The songs that I do with no pen are usually the ones that are a hit. I write how I am feeling at the moment. That’s how I get the essence of the song. If I can say it and remember it, then it’s going to be easy for someone else to remember it. Which is what I want.

TRA:     Upon introduction Earl dived right into Ray, so since Ray is who I started with, then let’s end with Ray. Any final words?

Ray:     When I’m on stage I feel that I am the one, whether I’m opening the show or not. And if they didn’t come to see me, after my performance they are going to google and find out about me.

Ray represents confidence, hard work and determination. I am so driven that I push myself to indescribable limits. I call myself the R&B Godzilla. I feel like a monster when I am in the booth, so when I hit the stage, I’m like this big ball of energy that you cant move and that you are going to like. When the fans see me, they want to scream, they want to jump on stage, and they want to hear the sounds of smooth rhythmic R&B. As my mother would always say, “it’s not a coincidence that these people like you and love your sounds.” I represent “sexy” and “greatness”, and because of that, it makes them [the fans] want me more than ever. My mom couldn’t have put it any better. Another sure representation of me is that when it’s important, I am always on time. I require promptness. I want to close in saying, I’m sorry to my fans. Due to unfavorable business decision, it caused me to pull back and regain a greater focus. But I plan to make it up to them by giving them this album, giving them the movie roles, and giving them all that Mr. Lavender has to offer. If they loved my music then, then the Gorilla in me is about to explode. I want to create a state of shock to the airwaves.

… I represent “sexy” and “greatness”, and because of that, it makes them [the fans] want me more than ever.
…

TRA:     Do you have a website that fans can go to?

Ray:     Website: Raylavender.com, Myspace: myspace.com/raylavender

TRA:     Myspace. You don’t have a Facebook page?

Ray:     There is an imitation of me on Facebook that literally portrays being Ray Lavender. So fans be aware. We are in the process of contacting the necessary executives of Facebook to get this matter resolved, so until then, do not try to communicate and reach me expecting the real Mr. Ray lavender to respond. His is truly an imitation.

As the interview came to an end, this handsome, energetic, flirtatious  Mr. Ray Lavender had the audacity to mention that he is going to beat me in bowling. “We will see”.

TRA:      Ray, It was a pleasure interviewing you. I look forward to the promises of your future and career in music. I can’t wait till the album drops, and see the fans drooling all over you….(laughing) Good luck and best wishes.

Contact/Booking info:

Management: Robert Miller 810-210-7616

Pops: 678-698-8870

One of the major concerns for people all over the United States is the fragile state of the economy. Every day, for a number of years, jobs have steadily vanished, cutbacks are becoming the norm, and uncertainty rules daily life. Families are suffering and people need help. However, out of all of this misfortune comes those who can think positively, are innovative and don’t give up. They see a way to assist others by taking a negative and turning it into a positive. Featured in this article are two people from Atlanta, who are committed to making a difference in the lives of others regardless of these tough times.

Nikki Williams, founder of the Atlanta Singles Ball, a fun, Christian based fundraising event, uses her strong faith in God to give her the insight to focus on the needs of others. She held her first Atlanta Singles Ball last year which garnered a huge positive response. The result of that success is another Atlanta Singles Ball taking place on June 12, 2010 at The Georgia World Congress Center here in Atlanta. The Ball will begin at 7PM and is a red carpet event sure to have guests dressed in their formal best. Ms. Williams is currently seeking out various organizations to participate in this event as sponsors raising money for single mothers needing assistance with childcare, bills, and other expenses of daily living.

The Atlanta Singles Ball will have music, food, and dancing, all with the opportunity to network with some great organizations at the same time. In addition, if you are looking for some Christian camaraderie or companionship, the Atlanta Singles Ball is where you need to be on June 12th.

Also making a difference in the Atlanta area with a focus on teens, is A. London Arrington, a musician who recently released an EP for children called, “Mr. London’s Operation: Elevate.” With the recent and rapid reduction of teachers and school administrators in Atlanta, Mr. Arrington’s focus could not be more important than it is now. Today’s youth are afflicted with the malady of hiding their intelligence because of the fear of being bullied and teased. Mr. Arrington has developed a unique way to build up Atlanta’s youth by taking what is considered “hip” based on the ever popular images displayed within hip-hop culture and using those images to inject the importance of academic and intellectual thought into our youth’s lives.

Mr. Arrington says, “OPERATION: ELEVATE is a motivational and highly effective presentation that seeks to pique students’ interest on a number of levels. We take the very entities that seem to keep our youth from excelling, “flip” it, and utilize it as an incentive to achieve academic gain and curb maladaptive behaviors.” He adds, “Our goal is to present academic excellence in a way that is aligned with our youth’s natural inkling to readily digest unfavorable stereotypes and behavior…music, video, and social forums. With these 3 entities, we also target non-academic behaviors that influence student’s academic achievement. These presentations will also allow the schools to record the songs as remixes and use them as incentives for academic achievement and fundraisers for the school’s budget.”

Both Nikki Williams and A. London Arrington are into the hard and selfless work of helping others. Although their methods are vastly different, their outcomes will mean a lot for many people. In these difficult times, it is a reassuring to know that there are young adults within the Atlanta area who are trying to make a difference. If you are interested in attending or contributing to The Atlanta Singles Ball you can go to www.singlesball.info or you can look for Nikki Williams on Facebook. If you need more information on A. London Arrington’s cause, contact him at londonarrington@gmail.com. His new EP can be found at www.cdbaby.com/cd/MrLondon.

Back in the 80’s, when hip hop was fresh on the scene, the industry was primarily dominated by males.  Female MC’s were few and a novelty.  The only female DJ I can remember who reached a semblance of notoriety was Spinderella from the popular group Salt-N-Pepa. Since then, there has not been much female representation on the turn tables.  The fact that men were always central and present behind the tables did nothing to deter DJ Princess Cut, of College Park, Georgia, from observing, learning, and then “touching the tables” herself in a quest to master the testosterone saturated world of the disc jockey.

Princess Cut was surrounded by music all her life which lent to her natural ear for putting tracks together. She attended Tri Cities High School, which she calls “the school of the stars,” because musical successes like Outkast, Xscape, Gorilla Zoe, and D. Woods originated from the performing arts school. As a child she learned to play the piano, and participated in dance from her formative years to her teens. Her brother is rapper Eldorado Redd, who DJ Princess Cut watched as he created music as well. This continuous exposure to the arts from childhood onward demonstrates the strong musical foundation that was laid for Princess Cut. When she was young, she may not have realized the merits of the education she was receiving from her brother or as she tickled the ivories on the piano she did not want to learn. But as she came closer to completing her Psychology degree at Georgia State University, it became apparent that those lessons were definitely needed because she soon discovered she had an affinity for touching the tables.

While at a bar in College Park about seven years ago, Princess Cut showed an interest in the skills of the DJ and started asking him questions while she watched him spin. She was hooked after her dainty and manicured fingers graced the glossy LPs. Six weeks later she bought her own set of tables, her prized Technique 1200’s. Since then DJ Princess Cut has steadily gained a following as well as lucrative contracts with some heavy hitters. At the time of my meeting with her at her home, she had just returned from touring with Southwest Atlanta’s own Goodie Mob and was on her way to Lenox Mall as she has been their official DJ for three years. Not only does Princess Cut get to display her skills with some of the best in the industry, she also travels all over the world playing to crowds of thousands. During her second year as a full fledged DJ, she experienced an opportunity that many other DJs just starting out may not get and that was to perform in Bahrain, Saudi Arabia. Playing in Bahrain was the beginning of DJ Princess Cut’s international exposure which has steadily and exponentially increased year after year.

While her new mix tape featuring the soulful, reggae beats of Bob Marley played in the background, DJ Princess Cut told me about her musical influences as well as the challenges she faces as a female DJ.  As a former dancing student, Princess Cut readily named Debbie Allen and Phylicia Rashad as two of the most powerful influences leading to the success she enjoys presently.  She also credits Erykah Badu, Ladybug of Digable Planets, and Teedra Moses to her success.  As far as challenges are concerned, it cannot be denied that what DJ Princess Cut does is primarily a job mastered by men, but with confidence and influences like those mentioned above, DJ Princess Cut has been able to prove herself as good as or even better than some of her male counterparts.  She revealed to me that at times she would have to endure people “standing over my shoulder to make sure I knew what I was doing,” but she did not take offense.  She knew that with time as her name grew and her apt skills were talked about throughout the industry, a trust and rapport would be established in relation to her name.

With all of DJ Princess Cut’s accomplishments to her credit and all the other projects she has in the works it can be said that she is the modern “Rosie the Riveter.”  She is making quite a name for herself in the male dominated field of the DJ, she runs her own record label called, Sweetbox Music, Inc., and she sees herself starting her own foundation in the future with the focus on young girls and self esteem. But in the midst of all that, she has managed to remain grounded, humble, and thankful for being given the gift she possesses in the form of “touching the tables and gracing them with femininity.”

Learn more about DJ Princess Cut’s impressive attributes and where to get her mix tapes.  She just released her collection honoring 4/20 featuring the work of Bob Marley.  Go to www.badazzyellagul.blogspot.com and look for her at these sites as well:  www.facebook.com/djprincesscut , www.youtube.com/SweetboxTV and www.twitter.com/DJPrincessCut.

Sitting down at Goatfinger Recording Studios in Decatur to talk with lead vocalist Michael Paul, of The Itopia Band proved to be an engaging experience.  With a calm, lilting, voice, and deeply introspective demeanor, Mr. Paul introduced me to the elements that make his band unique.  From the definition of the band’s name to the concept of “rotating band members,” Michael Paul gave solid and passionate reasons why he feels making music is his calling and that being a musician is more than about the money or living up to an image.

Born in London, and raised in Jamaica, Michael Paul listened to what he calls “American R&B” in his formative years. For him, R&B was extremely influential, liberating, and cast a “spell” on him that continues to manifest itself through his music. Classic R&B greats like Stevie Wonder, Sam Cooke, and Marvin Gaye permeated his soul and opened up his mind to musical creativity. Paul began expressing his musical interests by writing songs while he was very young, and to this day song writing is his joy and what he does best.

Eventually, as Michael Paul grew in mind and spirit, he came in contact with people who shared the same passion for quality music, the Itopia Band came into fruition. Itopia operates with Michael Paul as lead vocals while various instruments are played by an interchangeable and fluid number of musicians.  Itopia uses the concept of “rotating” band members which allows for the personification of the movement and expansion of music. The number and type of band members change according to the theme of the event or the feel of the venue.  Because of this unique concept, Itopia is blessed with band members from all over the world and who reside in different parts of the world. For instance, if Michael Paul and his band have a show in South America, they will call for members who are closest to the venue to participate or to those who do not have other obligations that may impede their ability to perform.

Not only did Mr. Paul explain how his band engages with each other through fluidity or “fair exchange” of musicians, as he calls it, he also illustrated the meaning of the band’s exclusive name, “Itopia.”  Mr. Paul says Itopia is “his notion of the term “utopia,” and is the more profound aspect of the oneness of the word,” which places a more internal and personal connection to the term, “you.”  He adds, “The essence of “one” starts with you.”  With that said, the subject matter of many of his songs relay stories of relationships between men and women, being in love, the importance of communication in a union, and how certain behaviors can guide life outcomes.         

Before speaking to Mr. Paul, his producer, Lance Hoskins played samples of his music to give me a taste of his style and sound.  “Put It Out There” had a distinct reggae flavor amongst the heavy horns and guitars mixed with the smoothness of the R&B Mr. Paul so ardently absorbed as a young man.  “Lights On” was a political effort including bongos, horns, and guitars to back up points the band wanted to make about the ills of society.  “Talk To Me” was a slow and sensual song, speaking to mature love and the importance of keeping intimacy and communication at the forefront for a healthy relationship. 

Michael Paul and Itopia have established a force of diversity within its band members and through the subjects they sing about.  Two of the main goals Mr. Paul wants to accomplish by being a musician and sharing his work with the public is to “use music to educate the village” and to impart “love, tranquility, and oneness” to his audience.  You can sample the music of Michael Paul and Itopia at www.jangle.com or by downloading tracks at www.cdbaby.com.  There is also a wealth of information on the band’s MySpace page at www.myspace.com/Itopiatheband. Check out the page for bios, names of band members, and dates and times for performances.

  At this time, Michael Paul is busily at work on more tracks for his current project and is getting used to his recent relocation to the Atlanta area.

Upon entering a metro Atlanta Barnes and Nobles on one warm, Monday evening to meet with a burgeoning African American female artist who belts melodies in the pop/rock music genre, I was greeted on the second floor by a mild-mannered, pleasant young lady who appeared rather nervous about our meeting to do this interview. Oscillating her attention between her mobile phone and the notes she took just in case she veered off track during the interview, Butta B-Rocka simply needed to sense that I was probably just as anxious to meet her as she was to meet me as she sat on the other side of the tiny wooden table. However, as both of our defenses dropped, positive energy flowed between me and Butta B and the vibe was immediately transformed into a comfortable space where two young women were having a conversation about music, love and life’s ever-pressing demands. It was during this experience that I best understood the yin and yang of Ms. Butta B-Rocka.

Born Oleathia Robinson in Louisville, Kentucky and raised in Tampa, Florida, Butta B-Rocka began her music career around the ripe young age of twelve years old. Once the youngest member of a group called N.O.L.T.  (None Other Like This), Butta B-Rocka has worked diligently alongside many familiar names in the music industry, including sharing the same band used by a mid ‘90s, up-and-coming artist named Usher Raymond as well as competing for a recording contract against a group named The Dolls, who would later change their name to Destiny’s Child. While The Dolls eventually won the contractual battle, the experience inspired maturity in the teenaged Butta B-Rocka, who walked away with an understanding that “everything happens in its own time.”

The true test of faith and maturity came when Butta B-Rocka was in a major car accident shortly after receiving an offer from a record label to be a solo artist. This schism left a physically and emotionally-scarred Butta B receiving nourishment from a straw for six months. Once she regained the strength and courage to return to the limelight and continue along the path of realizing her lifelong dreams, she quickly learned that one-time supporters of Butta B-Rocka had lost interest. Unwilling to simply accept defeat, Butta B took to the background providing vocals for Dallas Austin’s studios until one day she heard someone make a comment about “people needing to stay in their lanes.” This comment inspired her to break from the comfort zone that the background provided, and begin to assert herself as a viable songwriter. Ultimately, pop/rock demos provided by Butta B for other singers were recognized as quality musical contributions, and Butta B-Rocka gracefully stumbled upon her niche. She is now ready to show the world a new hue of the contemporary pop/rock music explosion!

TheRealAtlanta.com: So my first question is where did your name come from?

Butta B-Rocka: Butta came from when I used to live in Tampa. I would get on stage, and I’m real shy. So Butta is real bashful and has a real smooth, sultry voice. When I moved to Atlanta people started calling B-Rocka. And now B-Rocka is aggressive. It’s kind of like a split personality but it’s all one (?); [B-Rocka’s] not an alter-ego. Combined they’re this force, you know? You have the good and the bad mixed in with each other, ‘cause B-Rocka will be like “whatever, I’m gon’ tell you how it is,” and you can hear that in some of my songs like “Man On The Side.” 

TRA: OK. When did you fall in love with music?

I think I fell in love at the age of 4 when I heard “Stop In The Name of Love” (The Supremes)…and I ran downstairs…I went and got my boa, I went and got on this long dress, I went and got my granny’s hat, and I went and got her wooden spoon (laughing), and I started singing, and you could not tell me that I was not gonna be Diana Ross (giggling). And then my cousin, he was in high school, and he put me in a showcase. Naturally the little kids won but I was jammin!’ You couldn’t tell me I wasn’t jammin!’  

TRA: So at that time, I mean, you had actual musical ability?

Yeah! My mom said I came out the womb singing.

TRA: (Laughing) Oh, OK. So do you come from a musical background?

I do. I have a lot of cousins that sing. My family’s all church, pastors in the family…

TRA: Any instrument players?

Well, I play the trumpet and I also play the keys. I can’t sing and play. Something happens with me…I just can’t—

TRA: Is it the coordination? Is it a focus issue?

I get so involved with the singing that I start messing up on the notes, so I’m trying to combine the two, and I’m also starting to play the electric guitar.

TRA: Wow!

Yeah, I think that’s important. I’m doing pop/rock! I need to be able to bring it!

TRA: All right, then. So, your overall music’s sound, it’s pop/rock, yes, but how would you describe it specifically?

Yes, it’s definitely pop/rock. People can compare it to a little bit of Pink, a little bit of Ashlee Simpson, some Rihanna, with a hint of Keri Hilson. I think [my sound] is a little combination of all of the above.

TRA: How did you fall into this genre?

You know what? I do a lot of writing for people, and one of the producers I worked with is from Belgium, so international music is a different kind of sound: some techno and definitely pop. They want that upbeat, they want that real catchy hook; it doesn’t have to be all deep. R&B, the lyrics are so deep, as well as country [music]. Country music is very descriptive. But with pop you can just say a few words and keep repeating them, saying them in different ways, so I started getting more calls for that [kind of music]. And then I engineer my own sessions and I do vocal production, and as people were sending me tracks I would demo the songs I wrote and send them back to them, and they would be like “well, who is that singing?” And then they would say “well, you know, I think you found your niche.” And the one good thing is that it didn’t sound like I was trying to be anything else because I like all types of music…and I think it’s good to be diverse. You know, sometimes people think that because you look a certain way you’re supposed to only sing “this” type of music. I like music altogether. You’ll also find in one of my songs, it’s kind of like a country-type song, and I think that that’s all right. That’s the reason for the title of my album, Switch Lanes. Switch Lanes is about switching genres and it being OK to do it.

TRA: Yes! I love it! OK. Who are some of your musical influences?

Definitely Pink, love her. I love Ashlee Simpson. I love Brandy! I think she’s number one. She’s underrated but she can blow! I love Joe, he’s real good. I’m actually going up to New York in the next two to three weeks, and I’m going to be working on some projects with him. Of course the idols, Michael Jackson, Aretha Franklin, Whitney Houston. I like Enya. And, ooh, Rascal Flatts and Chris Daughtry. They are in my CD player right now.

TRA: How does your style of music fit into the musical landscape of Atlanta?

Well, the good thing about Atlanta is that it’s very diverse in its sound. So I think my music fits in perfectly because you can go to Smiths Olde Bar and appreciate my songs, or you can go to Sambuca and appreciate it. You can go to a Café 290 or you can even hit up a club and you could appreciate it; one of my songs would definitely fit into any of those types of scenes. I definitely think I’m bringing something kind of new to the table, one, me being African American, and two, with me being so diverse, I mean, literally, the album is not just one-sided.

TRA: On your album “Switch Lanes” what type of experience do you intend for the audience to have?

I want them to just feel good. I want them to be like ‘real music is back.’ Not ‘real music’ but I want them to be like ‘music’ is back, you know? I mean, some of the songs are so simple that it’s so simple, you know? (giggling) To the point where you’re like, ‘for real?’ And I want [the audience] to really appreciate what I’m bringing to the table and hopefully everybody’ll like it. Sometimes you’re not going to get everybody that likes your music, but I think that because it’s so diverse they’re going to find something on the album that they like.

TRA: What producers did you work with?

On this album I worked with MFN, who just did “Who Dat” for the Saints, which ranked #4 on ITunes. They won all these beat battles all across the nation. I worked with a gentleman named Mike Sal; he is an awesome engineer. He’s worked on Drake, he’s worked on Asher Roth’s mixtape, and he’s an up and coming producer. I worked with Atlanta’s own Monsta, who’s an up and coming producer. And I worked with B.C. aka Lunaman out of Belgium. Now he works with a lot of artists, like Felix the Housecat who’s big in house music, he’s like Grammy status and has worked with a lot of different people.

TRA: What producers would you like to work with?

I’m willing to work with anyone that has quality music and is diverse with their sound. Naturally I would love to work with Timbaland; I like his whole style. I like Darkchild. I like Swiss Beatz. I like Kanye. But there are so many other people that are just as big even though they may not have had their break yet. So I’m always open to working with people. I don’t think you should judge somebody because they might be that next “big one” and what you create with them might be that sound that is needed right now.

TRA: Where is “Switch Lanes” available for purchase?

On my website, www.buttabrocka.com. It’s on ITunes and on Amazon.

TRA: Who distributed the album?

My own company called Brass Knuckles Records.

TRA: What would you like to accomplish as an artist in your lifetime?

There are so many things I want to accomplish! (laughing) I’m serious! I want to win tons of Grammy’s. I want to be able to travel the world. I have an offer to go over to Dubai right now and I’m so ready to go! I want to eventually end up in TV and film, not only writing for TV and film but also [acting]. One of my songs just got placed in a new TV show called My Mother Agent, and I have another one that I just did the theme song for called Chocolate Cupcake.

TRA: Do you have a personal mantra or words you live by that motivate you when you’re down, or just in life, period?

I always say to myself “I am whatever I think I am.” I’m real big on self-help, and affirmations, and ‘you can do anything you put your mind to,’ and I really believe that. From the vision boards to the whole nine yards; you’ve gotta think yourself into that. You act according to how you believe you are supposed to be.

TRA: OK. Lastly, as we wrap up this interview, do you have any advice for young artists who wish to enter into the music industry?

Keep going and just be yourself. So often we try to do what others want us to do or sing what others want us to sing, to appease what other people think you should be. And you have to be true to yourself.

***

So that concluded that portion of the interview, but I didn’t want to let Butta B-Rocka leave before entertaining me (and hopefully you, the reading public) with a little random word association game. I just wanted to see where her head was regarding certain public people, social phenomena and other trivialities. Let’s see what she had to say; her responses are in bold letters.

Justin Bieber (because everyday he is a trending topic on Twitter): Cutie

American Idol: Great Avenue

Social Media/Networking Sites: Good Outlet

Atlanta: Hot

Beautiful: I am

Progress: Always

Family Guy: Funny as Hell

Tyler Perry: Love him

Legendary: Michael Jackson

Visit her website: www.buttabrocka.com

Check her out on Myspace: www.myspace.com/theprincessofrnb

Watch  Butta B-Rocka’s latest video “Switch Lanes” here directly on our website:

Please join me in welcoming, Atlanta’s own country music artist, Leslie Christian.  

Leslie is country music’s latest Black female vocalist.

Leslie comes from a family of vocalists, which are her biggest supporters. Her mother and father initially met singing for various bands. So it doesn’t surprise you where Leslie’s musical talents derived from. She has been singing all her life. Leslie states that she always participated in talent shows and was always singing background for her sister in shows.  A greater focus developed for country music in the last ten years. Leslie conveys that she listens to all types of music. In country music, some of her biggest influences are Dolly Parton, Shania Twain, and Sara Evans.

She talks about how at first her family couldn’t understand her love for singing country music but her desire, perseverance and phenomenal soulful voice, gave them great clarity on why it fits her and why rising to the top in country music could be her ultimate destination. Originally from Shelby, North Carolina, Leslie has made great things happen since she migrated to Georgia in 1994.

Leslie has been up and down the road to Nashville, Tennessee, which of course, is known as a major hub for country music. Leslie is recording her album with well known country music producer, Gordon Mote. Gordon produces Christian music and is a country music’s icon. Leslie wants to follow any direction he gives. Not only does Gordon believe in her, but his wisdom, guidance, experience, talent and display of will power over life’s adversities as a blind man who consistently strives for success, completes the formula for her success in singing.

Most of her recordings are within major studios in Nashville, Tennessee. Her authentic sound and tracks were recorded in the Tracking Room, a famous recording studio in Nashville, and her vocal recordings were done at another famous studio called, Beech Creek Studios out of Nashville as well. Beech Creek is highly known for their producing of children’s Christian music.

As I sat across from Leslie and one of her managers, Jason Freeman, I was trying to visualize the hard work and dedication that was described by their words. The working relationship is  admirable and one to be remembered and none the less, respected.

The most intriguing part of this interview was when Mr. Freeman spoke of her talent. His belief in her appeared very heartfelt and genuine. I said to them, “There is nothing better than having someone believe in you more than you believe in yourself, especially when you have already set the standard high for your own beliefs and success.”

While interviewing I noticed that Leslie’s remarkable talent in music is magnified by her a great skill in writing.  Leslie acknowledges that writing is her passion, and she wants to write for all genres of music. She currently writes songs with Adrian Porter, b.k.a. “AP”.  Leslie wrote all the songs of her album, My Life is a Country Song, which is a bird’s eye view about her family.  Leslie states that she loves to write music that people can relate to in all walks of life. However, she has mentioned that all the songs written are similar experiences of her personal life.

While speaking with Leslie and her manager Jason we are finding out that one of their many goals is that they want Atlantans to get behind them on this musical ride. She wants to have the support from the city she calls home. Jason states, “I want Leslie to be recognized as a successful black female country artist. There is no studio magic in her voice. All her tracking sessions are authentic.”  He along with Leslie says that she wants to be remembered, with hopes of her music granting access to becoming an icon in the genre.

Leslie mentions that she just finished a phenomenal photo shoot in Colorado on a 200 year old farm in the Colorado Mountains. Former Playboy Playmate, “Hope Marie Carlton” directed the entire shoot. Hope did everything, from fabulous hair and make-up, to being her personal stylist while on set.

 While interviewing and capturing the beauty, talent, and drive of this young lady, definitely of my own opinion, “Leslie has it together”. Leslie did this entire album with all her hard earned money. She paid for everything. She writes her music with no melodies. She has a gift of her own. She mandates the continuance of writing good songs because, she says, “good songs are never outdated”. Years from now she wants her songs to be like those of Michael Jackson, and various other artist, that no matter what century it is, the song will be played and it will still blast the airwaves and move you like no other.  Jason expresses the opinion that what he finds so unbelievable about Leslie, is that not only is her voice pure and confident but also so at ease. He says, he took his already elevated belief in Leslie to another level, when she recorded her vocals while having major voice complications. “Her music flows regardless”, goes Jason. 

 With several interviews under her belt, recently recording with Sara Evans, being a guest on Obnoxious TV here in Atlanta, video snippets on Facebook, and more prominent projects to look forward to, there is no stopping now. Leslie’s goal is to sell the album and become one of Atlanta’s newest unforgettable faces and voices to music. Her video snippets on Facebook include songs such as, “Hit the Road Jack”, “You Don’t Love Me” and “She Ain’t Half The Woman I Am.” Stay tuned for Leslie’s phenomenal debut and information on her upcoming listening party. Download her on iTunes, and feel the vibe of her unique style for writing songs.  You can follow her and become fans on Facebook as well.  Leslie states, “It’s not about selling the most records, I do it because of my love for music”.  Leslie believes that her heart will always be in country music. With a completed product, the backings of Gordon, along with Ben Fowler a well known mixing engineer out of Nashville, and her managers Jason Freeman and her father, Leslie is sure to break some hearts.

While reaching for attainable goals and consistently displaying vocals that are sure to send a chill through your bones, Leslie’s intentions are to make a lot of noise.

Good ole country noise that is!

Stay Tuned for more on Leslie Christian.

Contact info: free43@bellsouth.net

www.facebook.com/LeslieChristianMusic