By Camillia Harris. Saila better describes herself as an, “Urban soul gospel recording artist”. You may wonder, what is urban soul in the gospel lime light? She describes her sound more like neo-soul and funk mixed together. She has a wonderful personality a hidden treasure of beauty and a testimony to acknowledge it. She released her first unsigned CD, “A Changed Soul”, in 2004. In 2005, she released yet another unsigned CD “Free to Be”, which earned her many tour dates in the US. She was featured within the TD Jakes MegaFest, where she was able to inspire, inform, and introduce to her audience that her sense of being free speaks through her music.

By Dee Corley. Moscow Festival Ballet, Tegan and Sara at The Variety Playhouse, Universoul Circus, Diana: A Celebration, at the Atlanta Civic Center, RuChDa Winetasting and 21 Flavors of Wings, Mudcat – Real Blues at D.B.A. Barbeque …

By Dee Corley. Traditional Irish Session at Fado Irish Pub, George Thorogood and the Destroyers at the Variety Playhouse, Wine Tasting at an Authentic Tuscan Kitchen, Taverna Fiorentina, Fiddler on the Roof at Cobb Energy Performing Arts Center, John Mayer at Phillips Arena, Malibu Grand Prix at Norcross, Megadeath, Testament and Exodus at Tabernacle

An Interview by Nikki D. Bosompem. When you hear the words “Grave Yard Shift” the first thing that probably comes to mind is that late night stretch dreaded by most employees. In some sense that’s the concept behind the six member hip hop clique, who call themselves Grave Yard Shift. I recently caught up with a few of “The Yard” members to talk about their concept of “individual collectivism.”

An Interview by Nikki D. Bosompem. Atlanta native Laurah Norton Raines is pretty busy these days. Having achieved such accomplishments as writer, teacher, as well founder/editor of her own on-line literary magazine to boot, it is a wonder that she has the time to write such compelling, award winning short stories, such as Old Scratch and Medicine. Both of these stories won first place in the Creative Loafing fiction contest

By Dee Corley. African Children’s Choir on A Journey of Hope, Michael Flatley’s Lord Of The Dance at The Cobb Center, Jamie Cullum, The Pursuit, Craig Ferguson, Agatha’s Mystery Dinner Theatre, A Fun Getaway With Dinner, Princess Diana Celebration Month at The Atlanta Civic Center, Crime In Stereo, The Wonder Years, Destroy The World, 7 Sisters Entertainment, OTEP, Envy on the Coast, Fall of Troy, The Chariot, Deathloch, Reverse Negative and more, Infected Mushroom, Full Metal Prophet, Babylon System, Chris Grass, Captain Crunk at The Masquerade, and more

By Nikki D. Bosompem. Despite the fact that a substantial snowfall blanketed Atlanta on Friday, February 12^th, the originally scheduled date for the Goodie Mob concert, the legendary Hip Hop quartet “made it rain” at 9 PM on Saturday, February 20^th to a packed Tabernacle Music Hall. Fans old and new came out and represented

By Josh Fritz and Rachael Spencer. On a cool and brisk Tuesday night, Rachael Spencer and I sat down with Will Brown from the band Romeo Spike for an interview. A very cordial young man and was quite welcoming to us both. After talking for a bit, we dove directly into the interview. The other band members weren’t able to make it to the interview, but did provide answers. Through the four of them, this is the end result.

By Nikki D. Bosompem. Authors of urban literature, also known as street literature, have steadily made a formidable presence on bookshelves since its humble beginnings in the early 1970’s. The pioneers of urban literature boast such authors like Iceberg Slim and Donald Goines who opened the doors to a world of survival on the streets by doing whatever was necessary. For them, that meant unabashedly writing stories about what really went on in their lives as hustlers.

By Nikki D. Bosompem. This was my first visit to the High Museum of Art since I was a small girl and it’s been 20 years since I stepped over its threshold. I have always wanted to go back to the High (as we Atlantans call it) because my experiences were enthralling but as adulthood ensued, I never made the time. I was born in the 70’s, raised during the 80’s. I was bathed in culture