Torn, written by Tiffany Brown & Lynnette Roberts, Executive produced by Ex- NFL player and Super Bowl champion Dorsey Levens. Torn features a cast of accomplished actors and former professional athletes who have successfully transitioned to stage performances.

Torn will hit the stage on July 14^th and be shown till the 18^th at the 14^th Street Playhouse in Atlanta.

Torn is a Christian drama that touches into the relationships of today. While watching the cast rehearse at Eyedrum, the reality of this play is one that many of us can relate to on a daily basis.  Torn tells the story of a couple’s relationship that has hit its breaking point.  With deception, various obstacles and consequences, the question still remains as to whether or not this couple will be able to mend what has already been Torn.

As I prepare for my interview with Lynnette, Tiffany and Dorsey, I am in admiration for the talent before me that is preparing for a play that is sure to hit the stage big and become a phenomenon. The actors have engaged me and are making me anxious to see the ending result. I am astounded how Torn is an illustration for the truth of so many relationships of today. The story line is about issues, choices, and consequences, the ultimate gratitude that can make or break our relationships. I look forward to seeing the great successes that are to come with this stage play.  I must say, this is a well written story that is sure to attract the attention of the community. In the production, Tiffany is directing and Dorsey is the assistant director, along with stage manager Shay.  Shay also stars in the play with the stage name Misha Moore.  Tiffany describes Shay as having a true passion and unraveling experience in acting. She says that Shay serves as the coordinator of on and off stage managing and she is an integral part of the production team. With all the action taking place at Eyedrum during the rehearsal, I was able to pull co-writer Lynnette for majority of my inquisitive questions and snag Tiffany and Dorsey at intervals.

Here is the interview I was able to get from a few members of the team.

TRA: How well do you all know each other?

Lynnette: We met at our home church, called Destiny Metropolitan Worship Church in Marietta, GA.

TRA: How did Torn come about?

Lynnette: The church has an event called, “Expressions” that we host annually. We thrive for ways to display and introduce Christ in different ways, in order to attract the audience that wouldn’t normally come to church. We put on a play, Tiffany was the Drama team leader and I was over production. Dorsey was an actor in the play at the time, in which he still holds that same role currently. After such an excellent response and standing ovations, we knew this was one that needed to be brought further into the community.  We wanted to bring more recognition by taking it in front of hundreds if not thousands.  With Dorsey’s belief in the play and funding, we were able to make it possible. The message in Torn is so powerful and it doesn’t come as your traditional gospel play. Our hope is that Torn will come as a tool for people to understand the logic of their relationships or marriages, and knowing what it will take to make the marriage work in addition to what it takes to keep it together.

Dorsey:  In February we had two shows at the church consisting of 550 people, and we sold out. It was a great feeling to see and hear the testimonials of people coming up to the different cast members and telling them how it touched their lives. It was comment after comment. From that point on, funds were needed, and it was a great opportunity for me to give towards something so awesome. I was able to come in and get behind the scenes, and learn things as I move forward, learning from Lynnette, Tiffany, and Shay.

With his pacing, and stern directives, I had to know Dorsey’s character off stage for Torn.

TRA: Who is Dorsey on set?

Dorsey: I bring to the table outside of acting, the muscle behind Tiffany’s voice. I’m real stern. I don’t like people being late. Everyone wants to be great, but you have to put in the work. Greatness is not rewarded it is earned. You have to take personal accountability. We are a team, no part is bigger than the other. Everyone has to do their part to the best of their ability. We all have to put in the work. My Job is to keep everyone focused and on the same page as we move forward.

TRA: Can you give me a basic description of Torn in your own words?

Lynnette: Torn will allow you to see that every decision has a consequence, rather good or bad. However, keeping God in the midst of all decisions, allows for better understanding. Torn will give a firsthand look of how and why it’s important to hold on.

Tiffany: This story speaks in regards to relationship that has been severed. They have allowed interferences from outside to disarrange their foundation.  Torn takes you into the basics that exist in any relationship and/or marriage. Allowing you to see the real life relevant issues and those arguments are normal things that couples face.

Dorsey:  It’s a Christian based play, not overly religious. We hope to bring non- believers to the church. Torn doesn’t consist of real preachy dialogue however, there is reference to scriptures from the bible in play. For the most part, it’s just real life. We have no specific target audience, it’s just for everyone.

TRA: Where was the name “Torn” derived from?

Lynnette: Basic brainstorming. And just thinking of what a lot of relationship experiences and that is “Tears”. It becomes complicated and overwhelming in a relationship when there are tears that need to be repaired. With every decision, you make that choice to tear or build upon your relationship. Whenever you have a constant flow of un-happy tears, then something is “torn” and needs repair.

TRA: Who are the main characters?

Lynnette: Brice and Dana Kelly

TRA:  What can the audience expect from coming to see this play?

Lynnette: I think they will feel that it’s real. They would be able to identify or know of someone that represents the dialogue in Torn. They will walk away feeling and understanding the truth, honesty and inspiration of the characters. They will be able to relate to the characters and the experiences that may very well be personal within their homes. They are going to laugh. The ultimate goal will be achieved if they walk away with some insight on their own personal life. A lot of people don’t know what it takes to work on or even hold on to a relationship. For some that didn’t grow up in two parent households, they can be unsure of what that really means. A woman must gain the understanding of knowing her role as a wife and respecting her husband.  My favorite quote in regards to a severed relationship is, “You both have been here physically, but you left a long time ago, emotionally”. We have to know that there is more to a relationship than just sexual emotions. There are recreational, spiritual, intellectual, social and physical emotions. The sooner we understand and respect those emotions in our relationships the sooner we can grow and have a better hold before walking away.

Tiffany: They can expect to get hit with real hard truth while enjoying a fun play, with faith based undertones. They will get a mixture of drama, comedy, and inspirational messages delivered in a format that is uniquely Christian drama. Torn is not your typical play. Although it is Christian based, its originality began as Christian outreach to engage and attract our non-believers, therefore the language is flattering to attract the audience no matter what your faith based stance is.

TRA: Can you say that this play is a direct relation of the reality of everyday relationships?

Lynnette: Definitely, what’s so cool about this story is that the gender perspectives and roles are what we actually say.  Being written by two women, we surely scrubbed the story for reality and truth. We had to make sure that our information was as accurate as possible. We met with men and women. In meeting with the married couples, they told us about mother-in- law issues, respect issues, etc. We actually had real life stories to pull from, and we were so grateful for that.

Dorsey: Yes, being engaged and knowing married people, the reality is that there is always going to be issues in the marriage. Everyone has been in relationships, everyone has ups and downs, the question is what do you do about it and how do you hold on.

Tiffany: Yes it is. There are so many issues that relationships face in this new century. You have Facebook interference, where old friends and old lovers are reconnecting and rekindling at any given time. Technology is rapidly expanding and relationships are rapidly ending. Ryan Cameron of V-103 music station had Dorsey on the show, and he homed in on how Facebook is re-connecting past relationship and chapters that people have closed in their life, which is not good. People are starting to losing interest in their relationships instead of rebuilding.

TRA: In every beginning you must have a destination, so with that being said, what is the goal of Torn?

Lynnette: Our goal is for people to see that there is hope in your relationship when and if you make the decision to make it work. So often relationships are treated like a cactus, which requires a little sun and water to grow. With a real plant just a little wont work. You have to give it time. It may have to be replanted and it requires nurturing at every stage. That’s the same attention our relationship requires. We want people to commit to the journey of their relationships. You have to put in the work and make the decision not to go. You can’t rebuild by yourself, it takes two people.

Dorsey: The sky’s is the limit, we haven’t placed any boundaries. We will do our best and see where it takes us. (While interviewing, a lead singer in the play captures our attention, right in the midst of our conversation, her voice was beautiful). The lead singers are phenomenal. It’s not the typical gospel play, they are not singing the entire time. They sing in between each scene. As the set changes, the music begins. I must say, the singers are admirable, their vocals are an excellent collaboration, signifying the greatness in this play.

Tiffany: Our direction is going right to the big screen. This is our formula for a movie.

TRA: Do you plan to write and direct more?

Lynnette: Yes, I love writing and I feel like I am in the position to do more. We are not short on stories, just short on stories speaking to the spectrum and relations to our community. There are so many stories to be written and we want to bring them to the community. Tiffany is working on a new theatre company called Higher Calling.

Tiffany: Yes definitely. My plan is to start on other projects. I think my focus will always be geared towards relationships. It may be familial relationships, but the focus will be in that arena. I definitely want to focus on stories that are relevant and current with issues affecting our communities and relationships as a whole.  They will always be faith based.

Dorsey: If the opportunity presents itself. I have surely learned from Tiff and I comfortable with the producing part of it. Directing takes experience and Tiff got 20 years of experience, 13 years more than I. The experience and grind that I have gained as an assistant, has formulated my preparation of moving forward in the direction of these roles.

TRA: Tell me about Higher Calling Theatre Company?

Tiffany: God gave me this vision about 7 years ago to create a Christian theatre company. Although there are several in the metro area, … I had the desire for a contemporary faith based play, not just a mere entertainment and faith based. You have your playwright Tyler Perry, etc. that have shows and a production company, … in respecting and realizing my surrounding of other great statures amongst the talent, my long term goal, is to have a playhouse solely dedicated to these works. I want to have a full season of shows that people can come to throughout the year, and the focus will be faith based.

TRA: Any ending comments for the audience to know:

Lynnette: Come out and enjoy and well prepared Christian based play that will surely give you a different outlook on your current relationship or relationships to come. You will definitely leave with a different outlook on what you could’ve done differently, what you can do better, and how you can repair what’s Torn.

Dorsey: We have a talented cast with great energy. This play takes you on a roller coaster. It is serious, funny, emotional with everything intertwined. There are a lot of names that people won’t recognize, but when they leave the playhouse, they won’t forget who they were.

Tiffany: This is going to be a totally different experience. Come out, take a chance on our playwright and staff members. You will enjoy the show, and I promise you will leave with a good message and a refreshing experience.

As I wrapped up my questions, and took a last glance at the cast and the great minds behind a promising play, I left saying to myself, “Show time!”, because Torn is sure to gain the recognition it needs, in addition to repairing our community as a whole. This play is revitalizing the hope that is needed in keeping relationships and marriages together.

Atlanta’s 14th Street Playhouse, July 14^th –18^th, Wednesday – Friday at 8pm; Saturday at 3pm and 8pm; Sunday at 3pm and 7pm.

For media inquiries and credentials please contact The Profiles Group at (770) 222-2229 or profilespr@aol.com.

Links: http://www.facebook.com/event.php?eid=135087099839804&index=1

Back in the 80’s, when hip hop was fresh on the scene, the industry was primarily dominated by males.  Female MC’s were few and a novelty.  The only female DJ I can remember who reached a semblance of notoriety was Spinderella from the popular group Salt-N-Pepa. Since then, there has not been much female representation on the turn tables.  The fact that men were always central and present behind the tables did nothing to deter DJ Princess Cut, of College Park, Georgia, from observing, learning, and then “touching the tables” herself in a quest to master the testosterone saturated world of the disc jockey.

Princess Cut was surrounded by music all her life which lent to her natural ear for putting tracks together. She attended Tri Cities High School, which she calls “the school of the stars,” because musical successes like Outkast, Xscape, Gorilla Zoe, and D. Woods originated from the performing arts school. As a child she learned to play the piano, and participated in dance from her formative years to her teens. Her brother is rapper Eldorado Redd, who DJ Princess Cut watched as he created music as well. This continuous exposure to the arts from childhood onward demonstrates the strong musical foundation that was laid for Princess Cut. When she was young, she may not have realized the merits of the education she was receiving from her brother or as she tickled the ivories on the piano she did not want to learn. But as she came closer to completing her Psychology degree at Georgia State University, it became apparent that those lessons were definitely needed because she soon discovered she had an affinity for touching the tables.

While at a bar in College Park about seven years ago, Princess Cut showed an interest in the skills of the DJ and started asking him questions while she watched him spin. She was hooked after her dainty and manicured fingers graced the glossy LPs. Six weeks later she bought her own set of tables, her prized Technique 1200’s. Since then DJ Princess Cut has steadily gained a following as well as lucrative contracts with some heavy hitters. At the time of my meeting with her at her home, she had just returned from touring with Southwest Atlanta’s own Goodie Mob and was on her way to Lenox Mall as she has been their official DJ for three years. Not only does Princess Cut get to display her skills with some of the best in the industry, she also travels all over the world playing to crowds of thousands. During her second year as a full fledged DJ, she experienced an opportunity that many other DJs just starting out may not get and that was to perform in Bahrain, Saudi Arabia. Playing in Bahrain was the beginning of DJ Princess Cut’s international exposure which has steadily and exponentially increased year after year.

While her new mix tape featuring the soulful, reggae beats of Bob Marley played in the background, DJ Princess Cut told me about her musical influences as well as the challenges she faces as a female DJ.  As a former dancing student, Princess Cut readily named Debbie Allen and Phylicia Rashad as two of the most powerful influences leading to the success she enjoys presently.  She also credits Erykah Badu, Ladybug of Digable Planets, and Teedra Moses to her success.  As far as challenges are concerned, it cannot be denied that what DJ Princess Cut does is primarily a job mastered by men, but with confidence and influences like those mentioned above, DJ Princess Cut has been able to prove herself as good as or even better than some of her male counterparts.  She revealed to me that at times she would have to endure people “standing over my shoulder to make sure I knew what I was doing,” but she did not take offense.  She knew that with time as her name grew and her apt skills were talked about throughout the industry, a trust and rapport would be established in relation to her name.

With all of DJ Princess Cut’s accomplishments to her credit and all the other projects she has in the works it can be said that she is the modern “Rosie the Riveter.”  She is making quite a name for herself in the male dominated field of the DJ, she runs her own record label called, Sweetbox Music, Inc., and she sees herself starting her own foundation in the future with the focus on young girls and self esteem. But in the midst of all that, she has managed to remain grounded, humble, and thankful for being given the gift she possesses in the form of “touching the tables and gracing them with femininity.”

Learn more about DJ Princess Cut’s impressive attributes and where to get her mix tapes.  She just released her collection honoring 4/20 featuring the work of Bob Marley.  Go to www.badazzyellagul.blogspot.com and look for her at these sites as well:  www.facebook.com/djprincesscut , www.youtube.com/SweetboxTV and www.twitter.com/DJPrincessCut.

Spring time in Atlanta, GA proves to be a very busy time for the city. Many festivals and events start to take place for the locals and tourists. One such festival that has been going on for years is the Annual Atlanta Dogwood Festival which is hosted in Atlanta’s beautiful Piedmont Park. This year the event will take place on April 16, 17 and 18. Attendees will be able to enjoy fine art, live entertainment of different kinds ranging from music to comedy. There will also be a variety of food offerings all over the festival for visitors to try and buy.

This year at this 74^th Annual Dogwood festival there will be great new features like the International Stage, Friday Night Comedy Show and Friends of Dogwood Pavilion. Although, this is the city’s oldest festival every year they make it seem just as spectacular and new. Because the Dogwood Festival has become a major event in the Atlanta area, it was honored with a variety of awards including Reader’s Pick award for Best Annual Event (Creative Loafing), Readers Pick for Favorite Festival (Atlanta Magazine), Best Annual Event (Georgia Magazine) and a Silver Award for Best Community Outreach Program for the International Stage from the International Festivals and Events Association’s Pinnacle Awards.

Here are some things you are expect from this years festival:

Arts: The 2010 Atlanta Dogwood Festival Artist Market participants have been selected from the largest number of exhibitor applications in Dogwood history. The Artist Market welcomes fine artists from throughout the country and will include a special section featuring Georgia artists.

Global: Visit the exciting performances on the International Stage. Visit the International Village and get a picture next to a favorite foreign holiday destination without even having to leave town. There will be golf carts representing different destinations decorated by a local international organization or consulate to bring the world to Atlanta!

Spectators: The Main Stage at the 2010 festival will include performers from a variety of musical genres. Dogwood attendees can also enjoy the popular live dog show on the lawn or hit the Friday Night Comedy show at the Lake Clara Meer stage.

Foodies: The “Friends of Dogwood Pavilion,” a ticketed event that has become a popular feature of the Dogwood Festival, will be open Saturday and Sunday. The Pavilion pairs fare from top local restaurants with wines and beers to show the upscale side of the city’s longest-running outdoor festival. Tickets to Friends of Dogwood can be purchased in advance at www.dogwood.org or at the door.

Kids: Designed just for the younger festival visitors, the Kid’s Village has become a Dogwood favorite for families. This interactive zone comes complete with hands-on art projects, special kid-friendly displays and hours of entertainment for children. Spider Jump, anyone?

Contacts:
Atlanta Dogwood Festival
404-817-6642
www.dogwood.org
info@launchatlanta.com

Date & Time:
April 16 – Friday 12:00 – 9:00 PM
April 17 -Saturday 10:00 AM – 9 PM
April 18 -Sunday 10:00 AM – 5 PM

Location:
Piedmont Park
400 Park Drive NE
Atlanta

It’s been eons since RuPaul dominated the A-town underground club scene, plastering the city with his own posters adhered with wallpaper and wheat paste, frustrating any would-be hoodlums’ attempts to tear down his image.  As he advertised himself in 1983, RuPaul is still “Red Hot.”

At Outwrite Books, Atlanta’s foremost queer bookstore on the corner of 10^th and Piedmont, RuPaul is not in drag.  Still, down to the orange silk kerchief peeking out of his crisp black suit over his purple and pink ribbon-striped collar, he is flawless.  Of course, I am straining to see all of this through the bookstore window.  My friends and I are numbers 225-228 in line to have our books, “Workin’ It: RuPaul’s Guide to Life, Liberty, and the Pursuit of Style,” signed by the author himself.

Due to what feels to this Georgia Peach like the bitter cold, I have, along with my crew, eschewed the line in favor of drinks at Gilbert’s Mediterranean Cafe a few doors down from Outwrite.  Not that I wouldn’t suffer alongside fellow fans and shiver away the hours if absolutely necessary, but for my money I’d sooner suffer a cocktail.  However, having settled inside a warm booth for a comfortable wait, I slip outside again just in time to hear Rupaul accepting a plaque from some lackey on behalf of Mayor Kasim Reed over Outwrite’s loudspeaker.

Though a California native, Rupaul claims Atlanta as the place he came up, tirelessly traipsing over his competition, working nights at clubs like the now-defunct Club Weekends on Peachtree Street.  Long-time fans will recall RuPaul’s towering high-heeled presence, made all the more transcendent with a red mohawk, his hairstyle at the time.

Now filming the second season of his hit reality series, “RuPaul’s Drag Race,” on Logo, RuPaul, having held onto his star with those gorgeous acrylic nails, has traveled a long way from Peachtree Street.  Upon receiving his gift from the Mayor, RuPaul betrays just how long of an absence when he inquires about former Mayor Shirley Franklin.  Apparently no one had told him about the recent election of Kasim Reed but the crowd’s laughter at the mention of former Mayor Franklin tips him off and without missing a beat he says, “Oh, did you vote her out of office?”  Certainly the Mayor will always have his or her perks, but RuPaul will always be the reigning Queen of Atlanta.

Though by no means out of touch with politics, (He purposefully chose the spotlight over retirement to be an example of freedom during the Bush administration), RuPaul is more concerned with being himself and pioneering a way for others to do the same.  His book is in part a revelatory autobiography of how he became successful, complete with how-to tips on putting together the perfect wig down to what he eats for breakfast, as well as a testament to how far diligence and hard work can take you.

If RuPaul’s utilization of drag propelling him to succeed as a frontman, movie star, face of M.A.C. cosmetics, reality show power-diva, and now author is any example, then the limits to success exist only as ideas in the mind.  Whether or not he has a double-wig and a manicure, RuPaul always dons that fierce attitude, commanding all those who strive for stardom, “Girl, you betta work!”

Selected quotes from RuPaul’s new book, Workin’ It! RuPaul’s Guide to Life, Liberty, and the Pursuit of Style (available at Outwrite Books in midtown):

“When the going gets tough, the tough reinvent.” – pg. 12

“What other people think of me is none of my business.” – pg. 22

“The Saboteur has been practicing a strenuous workout regimen your whole life, but it’s never too late to counterbalance it with positive musculature.” – pg. 21

“My guess is people want to put you in a box with a pretty little bow because reality is far more complex than they’re willing to comprehend.” – pg. 61

“To me, the whole concept of being able to transform your identity with a mop of synthetic hair represented the totality of advancements made in the industrial age: a cheap, non-biodegradable tool of vanity.  It made me feel proud to be an American.” –pg. 83

And my personal favorite:

“Hell, I even think a unibrow is sexy.” – pg. 103

Me too, Ru!

(TheRealAtlanta.com brief photo review of the event and the venue:)

On a cool and brisk Tuesday night, Rachael Spencer and I sat down with Will Brown from the band Romeo Spike for an interview. A very cordial young man and was quite welcoming to us both. After talking for a bit, we dove directly into the interview. The other band members weren’t able to make it to the interview, but did provide answers. Through the four of them, this is the end result.

TheRealAtlanta.com: Who is Romeo Spike?

-Will Brown (drums)

-Donn Aaron (guitar, pedal steel, backing vocals)

-Sky Ross (bass guitar, backing vocals)

-Mike Kunz (lead vocals, keyboards, guitar)

TheRealAtlanta.com: Where did the name Romeo Spike originate?

There are actually different reasons behind this one. Will talked about the actual Romeo spike, which was used in the historic southern cities, traditionally, for men to climb trees and poles to meet their ‘Juliet’s.’ Mike also echoed this, as well as Donn. Another  main reason comes from Donn’s second solo album, Unfinished Symphonies. One of his favorite songs on the album was indeed called, “Romeo Spike”

TheRealAtlanta.com: What kind of music does yours fall under? Who are your major influences?

There were entirely too many bands to list. When we were talking to Will and through the answers that we received from other members of the band, there is no doubt that they not only love what they do, but there is a world of influence out there. A little southern rock, but a constant breath of fresh air every time they play.

TheRealAtlanta.com: How did you guys come together?

According to Will, Mike and Donn came together through a musical competition. This eventually evolved into a song-writing team that eventually became Romeo Spike. They continued writing music and loved what they did, but when it came time to play live, they knew that they needed to add to the band. The result is now known as Romeo Spike. They have been playing together, collectively, as a band for just under a year.

TheRealAtlanta.com: What inspired you to make music together?

Mike and Donn already had something special. But, Will and Sky added to the mix. All of them emphasized how much they enjoy playing together and how much of a cohesive unit they all are together. A great deal of camaraderie between these four gentleman.

TheRealAtlanta.com: Anything specific about your instruments? Brand loyalty or just what works?

All of them told us that they have no particular brand that they are loyal to. However, they all have a certain sound that they are looking for. They have their favorite instruments, tuned how they like and when it feels right, it is right. Will mentioned ‘warmth’ with instruments a few times, talking about the feeling of the music. The warmth of a vintage is so much more natural compared to new aged instruments, from drums to keyboards.

TheRealAtlanta.com: Most favorite and least favorite venues?

Hummingbird in Macon was preferred by all members of the band. Will also mentioned Buffington’s in Milledgeville and Mike mentioned Juanita’s in Little Rock. Will told us a story about a venue in Nashville, where it was a mom and pop who were running the place. As soon as the band walked in, the owners came up to them and asked, “Ya’ll are bringin’ people, right?” After that, there was a rather odd mix of bands, the last of which finally got off the stage at 1:00am and the place was closing at 2. The owner of the bar told them that nobody had bought beer in the last thirty minutes, so there wasn’t any real point in playing. They got the point and have not been back since. As far as places in Atlanta, The Star Bar (Little 5 Points), The Earl (East Atlanta) and Lenny’s (Midtown) were all pointed out to us.

TheRealAtlanta.com: Any covers we might hear? Do you have a set list of songs or do you just wing it?

The only cover that they play on occasion is the Cowboy Song by Thin Lizzy. Will mentioned a couple of others that they may bring out, but swore us to absolute secrecy. If you go to one of their shows, keep an ear out for some classic rock. Given that Donn and Mike switch instruments so often, they try and stick with a set list of songs, otherwise the switching can become cumbersome. But, given their love of music, one could almost guarantee it won’t be the same show twice.

TheRealAtlanta.com: Who writes the songs?

On their album, it was mostly Donn and Mike. However, they do have some new music written and it is more of a collaborative effort. A musical accident, if you will. Something that started out as a warm-up jam and just evolved from there. The lyrics are typically Donn and Mike, but there is an understanding with all of them that they all have unique backgrounds and a great deal of mutual respect. It was also pointed out that the end product that we, as the audience, hear is what they all have decided on. That end creation isn’t just something that they said, “Okay” and walked away from, they worked on it and tried different things until they were equally satisfied.

TheRealAtlanta.com: What is your ultimate dream? What/where is your Woodstock?

Mike wants to be the biggest band in the world, selling out stadiums and have all the guitars he wants. Donn wants to headline international tours with all the fixin’s. Sky wants to play a world benefit tour, such as Live Aid. Will wants to carve out their own niche.

Guilty (musical) pleasures :

Mike : Christmas Music (not religious, just Christmas. Especially Emmett Otter’s Jugband Christmas.

Donn : Everything But the Girl.

Will : 80′s music, Hall and Oates and Michael McDonald.

Sky : Shakira.

TheRealAtlanta.com: Any last words?

Mike : Come to Lenny’s on Thursday.

Donn : There are no ‘last’ words. Just ‘more’ words.

Sky : (none)

Will : Thanks to my dad for letting us borrow his Surburban to go on tour.

Thursday night, February 25^th at 9:00pm. They are going to be headlining the show with Author’s Apology and Metreaux as their supporting acts. Come check them out at Lenny’s. 486 Decatur St. Southeast. Atlanta, GA 30312.

We would like to thank Will Brown and the rest of the band for taking the time out of their day to come either spend time with us or to answer the questions that we posed for them. Come on down to the show and make sure to bring your dancing shoes. It’s going to be a good time and I for one am looking forward to it.

For more information about Romeo Spike, be sure to visit their website at www.romeospike.com.

Authors of urban literature, also known as street literature, have steadily made a formidable presence on bookshelves since its humble beginnings in the early 1970’s.  The pioneers of urban literature boast such authors like Iceberg Slim and Donald Goines who opened the doors to a world of survival on the streets by doing whatever was necessary.  For them, that meant unabashedly writing stories about what really went on in their lives as hustlers.  Their form of employ certainly could not be compared to the norms that most Americans experienced in their work environments.  Goines and Slim needed to tell their stories.

Urban literature is typically and preferably written by those who have actually been a part of the mores and mechanisms of urban life.  Anyone who attempts to write a piece on urban literature who has not experienced the unique culture of street life will find a critical and unforgiving audience; there are elements to urban literature that must be satisfied within the writing to convey a genuine and convincing read.  Boldly stepping up to those expectations is author Aaron Bebo with his novel, “Change For A Dollar”.  Having emerged from street life himself, Mr. Bebo knows firsthand what it takes to write a book about urban culture that stays true and upholds the standards already set by the first trendsetters within the genre. However, Mr. Bebo’s writing is a little different.  He offers more of a look into the mind and circumstances of a hustler and gives reasons such drastic changes are made for money and status. I recently caught up with Mr. Bebo to talk about his novel and the why he will be doing something very different in conjunction with its’ release: Providing an accompanying soundtrack with the book.

Born and raised in New York State in the 1970’s, Aaron Bebo’s life was catapulted into the confines of drugs and violence early on.  However, he took the cards he was dealt in life and used them to his advantage.  Being in the streets from such a young age could have ended in disastrous results but for this urban literature author, those nascent experiences gave him the materials he would need to write the compelling piece that “Change For A Dollar” is.

For example, being in the streets calls for the ability to engage in sharp observations of people and surroundings in order to survive.  Therefore if you are astute, you become a master of gauging human behavior, mannerisms, and conversations.  Mr. Bebo takes the experiences he learned in the streets and seriously applies that knowledge to the development of his characters and to the plot. By the end of the novel, you intimately know his protagonist, Malcolm Andrews and can appreciate the metamorphosis Malcolm must undergo in order to become successful on the block.  Mr. Bebo has found that in urban literature, some authors choose to focus on the act of selling drugs, the cars, and the money that come with it.  It cannot be denied that these things, which Mr. Bebo calls “surface stuff,” are central elements of the lifestyle, but what about the emotional and mental workings that go hand and hand with hustling?  What about the person or people themselves?  What is different about this novel is that Mr. Bebo shifts the focal point from the material gains that most Urban Literature seems to be concerned about to the deeper, more abstract concepts that readers may not have considered before.  This new and more substantial subject matter coupled with the excitement and intrigue that accompanies the urban lifestyle gives readers the best of both worlds.  Mr. Bebo gives readers the superficiality of the material gains if one chooses to skim the surface of the novel and he gives readers who wish to examine the deeper layers of the piece what they need to dig in.

Additionally, Mr. Bebo wants to make sure he reaches those who may not be excited about reading his novel simply because they do not like to read or possibly cannot.  In order to reach a wider audience, Mr. Bebo’s plans to implement the innovative idea to release his book along with a soundtrack that follows the plot of the piece.  Music is a huge part of the urban scene and having a CD along with the book further represents the culture Mr. Bebo is writing about.

During my talk with Mr. Bebo, I learned that another concern for him was the craft of writing itself and the fact that credibility is key to producing a great product.  He feels that there are too many authors within the urban literature genre who do not understand that with good writing comes a responsibility to give readers a story that is convincing. Rushing to get a story down without thought and proper development makes for a book that will be lacking. He admonished that writing takes time and does not bring the instant gratification he was used to when he was in the streets.

Mr. Bebo does not look at the lack of instant gratification as a hindrance as he has gone through a metamorphosis much like some of the characters in his book. Those changes have lead him to where he is today as a hustler turned author.  Mr. Bebo can write about the changes that occur in life because he has experienced them and “Change For A Dollar” is his proof of that.

To learn more about Aaron Bebo go to his website at www.kingpen.biz for excerpts of other projects he is currently working on. You can also listen to music samples and read his essay, “Thangs Just Ain’t the Same For Gangstas,” which gives Mr. Bebo’s position as a writing educator and adviser.

Mr. Bebo currently resides in the Atlanta metro area.

This was my first visit to the High Museum of Art since I was a small girl and it’s been 20 years since I stepped over its threshold.  I have always wanted to go back to the High (as we Atlantans call it) because my experiences were enthralling but as adulthood ensued, I never  made the time.  I was born in the 70’s, raised during the 80’s.  I was bathed in culture with such exhibits featured at the High like the “China Exhibit” in which I can recall a memory of a huge card-catalog – like box filled with drawers of Asian spices one could pull out and sniff.  During field trips we frequented the museum when the “Sensations” exhibit came and we would stick our hands in holes filled with various items to heighten sensory awareness.  Not knowing what was at the end of that hole was what kept us loving when “Sensations” was at the High. My early contact with the High garnered life-long memories and now it was time for me to pass some of that on to my four-year-old and my girlfriend’s 15 year old daughter.

Therefore, on a day in late January, the three of us trudged through the cold and drizzle in search of artistic displays that could warm us at least visually and aesthetically. After checking our coats, (which is free!) paying the for the ticket (only $18, and tickets were buy one get one free on that day) the enthusiastic guide handed me a map of the museum and asked us, with even more enthusiasm if we were going to see the Leonardo da Vinci Exhibit which was one of the featured attractions and one of the artists recently covered in my young friend’s art class. We headed up to the second floor of the immaculate space and made our way to see what gifts the great Italian artists and scientist left behind for us.

We were all excited to see authentic pieces of the work of the one of the most famous artists in the world.  The da Vinci Exhibit, which will be at the High until February 21^st, contained about 50 works but boasted only 20 pieces that were actually done by the hand of the artist himself.  Most of these were drawings done in the early stages of his career. At that time, according to the information written on the wall signs next to the pieces, da Vinci was very interested in horses and equestrian arts and many of the pieces displayed exemplified that. One of the most impressive features of the exhibit were the huge statues made by Giovan Francesco Rustici, giving evidence to the influence Leonardo da Vinci had on the younger artists following him. Moving through the exhibit, we could see three stages of Leonardo da Vinci’s career:  the beginning, when he himself was a student, the phase when he was perfecting his craft as a sculptor, and finally, as a teacher, when artists inspired by him learned from his expertise and benefitted from his guidance.

The High had so much to offer that the different exhibits felt as if they would never end! As soon as we thought we might be done discovering, we stumbled upon more to see.  Our observations ranged from the John Portman Exhibit on Art and Architecture showing models of buildings from around the world to paintings highlighting local culture by Hale Woodruff featuring the consequences of erecting “housing projects” like Hearndon Homes on Northside Drive.  A beautifully colorful and moving political piece, the painting entitled, “Results of Good Housing,” speaks to the era in American history when housing projects were seen as the solution for the poor (which equaled out to blacks)  to receive adequate places to live during the Depression.  In actuality, this undertaking further pushed blacks into the bondages of racism and stereotyping.  Right now, Hearndon Homes is being demolished for many good reasons. One of the positive effects will be eradicating racial scars of the past.

Some of the most amazing paintings were of the Civil War era from the American Art exhibit.  On the walls were expansive portraits depicting the beautiful landscapes of the southern most regions of America. The beauty of the pictures contrasted with the desolation of deserted farms and plantation houses as the War swept through the land and the slaves ran for freedom.

The African Exhibit featured many different examples of the rich culture of the African peoples and was refreshing after viewing paintings that were both pleasing to the eye and painful reminders of a shameful past the Civil War can evoke.  My daughter, whose father is from Ghana, was excited to observe pieces from his home land and we marveled over huge masks made from wood used by the Bwa peoples from Burkina Faso.  Pieces from Nigeria, the Congo, Rwanda, and the Ivory Coast were also proudly displayed.

After three hours and complaints from my daughter that her feet were hurting, I turned to my friend and asked her if she was ready to leave.  She looked at me, gave me a hug, and told me she was glad we came.  She said she learned a lot and that she was anxious to get to school to let her art teacher know how much she had learned over the weekend.  I asked my daughter what she liked the most as we left the building and she said, “The Ghana stuff.”

The visit made an impression on all of us and definitely made me realize that going to the High is a great way to instill knowledge and culture within us without even leaving the city.  Take an afternoon, grab a friend or co-worker and check out all the wonders the High Museum of Art has waiting for you.

Stacia, a native of Cleveland Ohio, comes to us with the sounds of Reggae and Soul. Stacia has a passion for soul music so she creates music geared towards life, love, and liberty.

Stacia says, “Music has always been a love of mine.” Her musical experiences derive from her childhood. As a child she played in the orchestra, played the violin, and was a member of her high school gospel choir. Stacia started out doing background vocals for various local hip hop artist and live music with local musicians, which helped build her self-confidence to embark on her own dream of becoming an artist.

Stacia always had a goal of working in Television so with a degree in Communications, she landed a great job with 11 Alive News/ NBC affiliate here in Atlanta. She worked on the production crew where she met a lot of great and interesting people. After being there for a little over 5 years, she noticed that her dreams of music were not being fulfilled. In 2005 she gradually started getting back into her music. Doing background vocals for Eshe who is a member of Hip-Hop group Arrested Development and singing on the praise team at Solomon’s Porch Ministries, which is led by renowned R & B artist Dionne Farris.  Finally, she decided to branch out on her own and pursue her dream of music. As a songwriter, guitarist, and violinist, Stacia’s musical talents comes as first nature for her, and shooting for the stars is the only direction she wants to continue in. Stacia states, “When I set out to do something, I won’t stop until I finish. It’s my dream, goal, and passion to create beautiful music.”

Stacia mentions that she hasn’t always had great confidence in her creativity and talents. Based on experiences and personal growth, she has gravitated to the womanly built, admirable and intriguing self-confidence that is displayed in her now. She soon realized that her own fears were impeding her musical success. She is now running in a musical marathon that she hopes will never stop. With numerous gigs to note, Stacia Performed at The Sweet Auburn Music Festival in Atlanta, she is also on the soundtrack for movie “Surfer Dude” as a backup singer for Mishka of J.K. (Just Keep) Living Records, along with many live performances around the city of Atlanta. She shared the stage with well known reggae artists at the “Unite the People” show in Montego Bay, Jamaica where her single called, “Yeah” was released. She was a back-up singer for Nas at the 2008 BET Hip Hop music awards.

Her first album had a musical concentration in Reggae, so in preparation for her next, she plans to have a very active role, doing majority of her own writing and re-introducing the beauty behind the strings of her guitar. Although Stacia considers herself a soulful artist and often being compared to Sade and India Arie, she has a heartfelt feel for Rock, and this album will introduce you to it. With plans to release her first single by this summer, and her next album still left untitled, she states that her music will represent nothing less than Life, Love, and Liberty. Be on the lookout for performances at local venues and be amongst the first to get the album. Stay tuned for more updates on Stacia, “The Beauty Behind The Strings”.

Per Wikipedia, Gospel Music is music that is written to express either personal or a communal belief regarding Christian life, as well as to give a Christian alternative to mainstream secular music.

If you’re longing for some true spiritual and inspirational music, then on January 30^th, you definitely don’t want to miss a night that will be most talked about in Atlanta. Yolanda Adams and Hezekiah Walker will be performing at The Arena at Gwinnett Center at 6:30 pm. Yolanda Adams is best known for her indulging charisma and inspiring attribute given to gospel music. She is one of our most popular contemporary gospel Artist. Hezekiah walker, who is a Renowned Pastor & Bishop, is definitely an artist that moves your feet and has your hands clapping in total praise and worship.

These artists are a true inspiration to gospel music and together they make magic. Yolanda and Hezekiah are well known for many albums and many songs. One in particular by Yolanda Adams, “Open My Heart”, touched the R&B sound streams in a ripping motion and captured the audience of those not in tune with the various inspirations that gospel music had to offer. “Grateful” by Hezekiah Walker, gave great depiction of what it is to just be thankful. These artists will definitely having you singing along and/or crying. The Arena at Gwinnett Center is definitely a great place to have this Music event. It’s tucked away and not highlighted as much as the other big performing venues here in Atlanta, such as the Fox Theater, etc. This venue is sure to provide something incredible, memorable, and enjoyable.

Tucked away in the Virginia Highlands off of Monroe Street is a giant, bustling shopping center called Amsterdam Walk.  Inside there are plenty of restaurants and bars to discover but there is one in particular where you will find the prettiest girls in all of Amsterdam, predominately cute girls who like girls.  Gents are welcome too, just more scarce.  Maybe that’s the reason they have a neon HEAVEN sign on the wall.  Only kidding, boys.

This past Friday, DJ Vicki Powell presented the 2^nd annual Ladystache event, where ladies who donned ‘staches secured both a free cover and the satisfaction of feeling slightly more debonair than usual.

DJ Vicki had the bar bumping in full swing upon my 11 p.m. arrival, party o’clock, spinning tunes such as “Bad Romance” by the diva who isn’t afraid to be dirty, Lady Gaga, as well as “Sunshowers” by M.I.A., the diva who wields lyrics like weapons.

But the musical highlight of the evening was the debut of “Wonderous Wonderpuss,” the first psychedelic single from The Bee’s Knees, a burgeoning, local all-girl band.  If the amalgamation of the song’s hypnotic sound, stirring lyrics, and sensual beat is any indication, The Bee’s Knees will be a band for which you should keep an eye, or rather two ears out.

Boasting a spacious dance floor, bottle service, as well as a hot, friendly staff, Bellissima is a prime event spot.  The slight, plunging candelabras and sexy lighting  exude an elegance that sets it apart from other ladies’ joints in town.

Some notice a few inconveniences with the place. Smoking is disallowed inside. Competition for the pool table makes it nearly impossible for a novice to get in practice time. But these should be of little matter.  Bellissima is not where to go to play pool.  It is a place to dance to good jams and to see and be seen by good-looking gals.  Definitely do not wait before the third annual Ladystache to pay a visit to Bellissima.